Broadcast News

Bookmark and Share
02/09/2015

ATEME Launch Forensic Watermark For Pre-Release HDR Content

News Image
NexGuard and ATEME are to unveil a joint solution for the forensic watermarking of pre-release High Dynamic Range (HDR) video content at IBC 2015.

The solution is integrated with ATEME's TITAN Software Transcoder, which will be demonstrated on the ATEME stand 1.D71.

The solution is based on NexGuard Software Development Kit (SDK), integrated with ATEME TITAN Software Transcoders, to enable customers to identify leaks prior to delivering content to the home over UHD and HDR-ready TVs. The combination complies with the ITU-R Recommendation BT.2020 specifying Ultra High Definition (UHD) and HDR encoding, and will deliver lifelike picture quality to provide consumers with stunning video content.

The ATEME-NexGuard solution utilises UHD 12 or 16-bit uncompressed source content to prepare HDR versions of content for Blu-Ray and electronic distribution. The images are watermarked and encoded to 10-bit Perceptual Quantizer (PQ) HDR with 45 Mbit/sec High Efficiency Video Coding (HEVC), then rendered on an HDR capable UHD TV.

"Leaks of pre-release content can prove disastrous for studios and post-production houses as they significantly decrease the value of high quality content," said Jean-Philippe Plantevin, SVP Products and Solutions, NexGuard. "Collaborating with a world leader such as ATEME to ensure that HDR content is easily traceable is a tremendous step for us, and we're proud to see our products helping to keep high value content assets secure while they are in production."

"Studios and post-production houses customers need the piracy threat to be addressed before making significant investments in HDR content and facilities," added Emmanuel Boureau, VP Sales at ATEME. "Working with NexGuard provides us with a solution tailored for high quality pre-release content, which we can easily integrate directly within our encoders to increase content protection. Deploying NexGuard forensic watermarking for pre-release content ensures that video assets are traceable all the way to the source, and helps to identify the origin of any leaks in short timeframes. This enables us to take an active part in protecting the production industry's most valuable assets, and opens the door to content and facilities supporting HDR."

Forensic watermarking has become a key tool in the prevention of illicit redistribution of content. The NexGuard forensic watermarking solutions are designed to meet the full array of evolving security challenges facing the Television and Motion Picture industries across Digital Cinema, Pre-Release, PayTV and Online deployments.

Image: Emmanuel Boureau, VP Sales at ATEME.

www.ateme.com

(JP)
VMI.TV Ltd

Top Related Stories
Click here for the latest broadcast news stories.

06/11/2017
Everything You Need To Know About HDR
Article credit: Shift 4. Enriched pictures with more immersive and vivid colours, extended contrast, deeper shadows and brighter highlights. Sounds pr
08/03/2016
VMI: HDR Survival Guide
This guide has been written as an overview of HDR technology for TV as it stands in January 2016. Article credit: VMI. HDR makes pictures STUNNING and
13/12/2024
Ateme Integrates Advanced HDR By Technicolor®
Ateme has announced the integration of Advanced HDR by Technicolor® into its renowned Kyrion product line. This latest enhancement reflects Ateme's co
03/12/2021
dock10 Simultaneously Produces Live SDR And HDR Content Remotely
As the UK's leading television facility, dock10 brings some of the country's most beloved content to life. Its work spans prime time episodic series,
01/06/2018
Netflix To Deliver Insight On HDR Content At MPS
Netflix will host two keynote sessions at this year's Media Production Show (MPS) in London, 12-13 June, offering insights into creating High Dynamic
20/11/2015
FilmLight Showcases HDR, UHD 4K Content
FilmLight has demonstrated its HDR colour technology at Inter BEE 2015. Post house GoodJob, which is based in Osaka, recently expanded its offering wi
07/06/2019
Ikegami To Bring Full-HD HDR & Ultra-HD HDR Ranges To Broadcast Asia
Ikegami is preparing for its trip to Broadcast Asia 2019 as the company looks to showcase its Full-HD HDR and Ultra-HD HDR camera systems and monitors
20/03/2018
How Long Can Your HDR Workflow Wait?
Unlike the move from SD to HD and from HD to 4K, the move to HDR isn't going to have a huge impact on your data rate or infrastructure. However, there
19/01/2023
Atlona Reveals Next Generation Of HDMI® To HDBaseT™ Distribution Amplifiers
Atlona has unveiled the company’s next generation of HDMI® to HDBaseT™ distribution amplifiers, the AT-HDR-CAT series. The successor to the popular AT
16/05/2024
ATEME Integrates Advanced HDR By Technicolor
ATEME has integrated Advanced HDR by Technicolor, a suite of high dynamic range production, distribution, and display solutions, into its TITAN offeri
01/08/2023
Ateme Powers Foxtel's Global Content Acquisition
Ateme and Foxtel have announced the deployment of a standards conversion service enabling Australians to enjoy TV content from around the world. The F
22/06/2023
Ateme Includes Content Protection With BISS-CA
Ateme has made the BISS-CA standard for content protection accessible within all Ateme premium products and solutions. As a co-developer of the BISS-C
04/07/2018
NHK Enterprises "nep infini" Adds AJA FS-HDR To Workflow
AJA FS-HDR has been added to NHK Enterprise's "nep infinity" as the new cornerstone of its UltraHD HDR workflow. "nep infini" is an online and offline
26/10/2015
SMPTE Reveals SG Report On HDR Imaging Ecosystem At SMPTE 2015
The Society of Motion Picture and Television Engineers (SMPTE) has revealed the SMPTE study group (SG) report on the high-dynamic-range (HDR) imaging
29/08/2023
Ateme To Unveil New Ateme+ OTT Packaging Service
Ateme is to introduce its new Ateme+ OTT packaging service at IBC2023. Ateme+, the software-as-a-service (SaaS) solution from Ateme, will now offer pu