Broadcast News
20/11/2015
FilmLight Showcases HDR, UHD 4K Content
FilmLight has demonstrated its HDR colour technology at Inter BEE 2015.
Post house GoodJob, which is based in Osaka, recently expanded its offering with FilmLight's grading and finishing system, Baselight, to help meet the local demand for 4K productions. The facility has already completed several projects for Japanese TV – all in HDR.
"GoodJob is a great example of post-production facilities recognising the workflow benefits as well as the creative capabilities of FilmLight and HDR," said Koichi Matsui, president at FilmLight KK. "But all of our clients in this region – including IMAGICA, Toei Labotech, and TV production company Kyodo Television – are also working extensively on HDR content and have been using the FilmLight workflow for their 4K TV productions with great success.
"The team at Kyodo TV, for example, interoperates fully between Baselight, FLIP and Baselight Editions using the metadata-based Baselight Linked Grade (BLG) as well as the Truelight colour technology. They manage and adjust complex looks on-set, generate graded DNxHD rushes for editing, and, later, 60p UHD masters, while maintaining the fast turnaround that episodic TV demands."
www.filmlight.ltd.uk
(JP/LM)
Post house GoodJob, which is based in Osaka, recently expanded its offering with FilmLight's grading and finishing system, Baselight, to help meet the local demand for 4K productions. The facility has already completed several projects for Japanese TV – all in HDR.
"GoodJob is a great example of post-production facilities recognising the workflow benefits as well as the creative capabilities of FilmLight and HDR," said Koichi Matsui, president at FilmLight KK. "But all of our clients in this region – including IMAGICA, Toei Labotech, and TV production company Kyodo Television – are also working extensively on HDR content and have been using the FilmLight workflow for their 4K TV productions with great success.
"The team at Kyodo TV, for example, interoperates fully between Baselight, FLIP and Baselight Editions using the metadata-based Baselight Linked Grade (BLG) as well as the Truelight colour technology. They manage and adjust complex looks on-set, generate graded DNxHD rushes for editing, and, later, 60p UHD masters, while maintaining the fast turnaround that episodic TV demands."
www.filmlight.ltd.uk
(JP/LM)
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