Broadcast News
18/04/2013
O'Connor Supports ARRI Cameras On 'Bones'
Cinematographer Gordon Lonsdale, cameraman on long-running Fox detective series bones, credits OConnor support for allowing his operators to work freely and flexibly on set.
"Actually, I’ve been a big fan of OConnor throughout my career," he says. "When I was an assistant I used the 50 and 100. Then when the lightweight 100 came out, I thought I’d died and gone to heaven."
Bones shoots with ARRI Alexa cameras, Optimo zooms and Leica primes. Lonsdale’s two operators use 120EX OConnor heads, supplied by Otto Nemenz, and set them up in completely different configurations.
Greg Collier, A-camera/2nd unit DP will tighten the drag quite a bit and operate that way. Andy Shuttleworth, B-camera/Steadicam, has his head very loose. "Still, they both do beautiful work," Lonsdale says.
Lonsdale often puts his cameras in challenging positions, especially on shots where the lead actors are investigating some sort of grizzly death.
"This is often where the strength of the heads allows us to use the long lenses and to put my Z-plate on the head and hang it upside down with the camera, complete with zoom, skimming across the ground for many shots," he explains.
"And, I’ve gone to other extremes, putting the camera eye level with water in a stream or lake and have put down a tripod and the OConnor head – all underwater. It was simple. I knew the head would continue to work and that my camera would be supported."
'Over the years, I have tried other heads," he admits.
"I’ve always come back to OConnor because of the reliability of both the equipment and the company. Lesser heads have left me without tilt drag or pan drag, when they have broken. OConnor has never let me down. The equipment is always there. If I have problems, and they are usually due to inadvertently dropping the head or mistreating it when we try to get a shot, OConnor has always been there to fix and repair it. I simply couldn’t get what we get on Bones without OConnor there to support us."
Bones, a darkly amusing procedural drama based on real-life forensic anthropologist and novelist Kathy Reichs, opened its eighth season on Fox in January.
www.ocon.com
(IT/CD)
"Actually, I’ve been a big fan of OConnor throughout my career," he says. "When I was an assistant I used the 50 and 100. Then when the lightweight 100 came out, I thought I’d died and gone to heaven."
Bones shoots with ARRI Alexa cameras, Optimo zooms and Leica primes. Lonsdale’s two operators use 120EX OConnor heads, supplied by Otto Nemenz, and set them up in completely different configurations.
Greg Collier, A-camera/2nd unit DP will tighten the drag quite a bit and operate that way. Andy Shuttleworth, B-camera/Steadicam, has his head very loose. "Still, they both do beautiful work," Lonsdale says.
Lonsdale often puts his cameras in challenging positions, especially on shots where the lead actors are investigating some sort of grizzly death.
"This is often where the strength of the heads allows us to use the long lenses and to put my Z-plate on the head and hang it upside down with the camera, complete with zoom, skimming across the ground for many shots," he explains.
"And, I’ve gone to other extremes, putting the camera eye level with water in a stream or lake and have put down a tripod and the OConnor head – all underwater. It was simple. I knew the head would continue to work and that my camera would be supported."
'Over the years, I have tried other heads," he admits.
"I’ve always come back to OConnor because of the reliability of both the equipment and the company. Lesser heads have left me without tilt drag or pan drag, when they have broken. OConnor has never let me down. The equipment is always there. If I have problems, and they are usually due to inadvertently dropping the head or mistreating it when we try to get a shot, OConnor has always been there to fix and repair it. I simply couldn’t get what we get on Bones without OConnor there to support us."
Bones, a darkly amusing procedural drama based on real-life forensic anthropologist and novelist Kathy Reichs, opened its eighth season on Fox in January.
www.ocon.com
(IT/CD)
Top Related Stories
Click here for the latest broadcast news stories.
23/04/2013
OConnor Supports Sony 4K Cameras
Long-time cine equipment leader OConnor, part of Vitec Videocom, is meeting the challenges of support and lens accessories for Sony’s F5 and F55 4K ca
OConnor Supports Sony 4K Cameras
Long-time cine equipment leader OConnor, part of Vitec Videocom, is meeting the challenges of support and lens accessories for Sony’s F5 and F55 4K ca
11/08/2011
New Ultimate 1030D And 1030Ds Fluid Heads Hit Europe
Now cine professionals can seamlessly go between larger and smaller payloads while retaining the OConnor feel, interface and experience. OConnor, a Vi
New Ultimate 1030D And 1030Ds Fluid Heads Hit Europe
Now cine professionals can seamlessly go between larger and smaller payloads while retaining the OConnor feel, interface and experience. OConnor, a Vi
23/05/2011
Rawson Gears Up For New Season Of Cougar Town With OConnor
Vitec Group OConnor has announced that cinematographer Andrew Rawson has chosen their 2575 head for the new season of the ABC series Cougar Town. "I'v
Rawson Gears Up For New Season Of Cougar Town With OConnor
Vitec Group OConnor has announced that cinematographer Andrew Rawson has chosen their 2575 head for the new season of the ABC series Cougar Town. "I'v
30/05/2003
OpTex appointed as OConnor distributor
Following the acquisition of OConnor Engineering by Sachtler, OpTex are now UK Authorised Distributor and Service Centre for all OConnor Fluid Heads a
OpTex appointed as OConnor distributor
Following the acquisition of OConnor Engineering by Sachtler, OpTex are now UK Authorised Distributor and Service Centre for all OConnor Fluid Heads a
12/09/2019
OConnor Launches Innovative Camera Support System
OConnor has unveiled a new camera support system that combines the precision and versatility of the company's fluid heads with the unique speed of flo
OConnor Launches Innovative Camera Support System
OConnor has unveiled a new camera support system that combines the precision and versatility of the company's fluid heads with the unique speed of flo
11/07/2018
Products From Litepanels, OConnor Sachtler And Anton/Bauer Play Role In 'Mountain Rest'
High-performance products from Litepanels, OConnor, Sachtler, and Anton/Bauer, all Vitec Production Solutions brands, played a starring role in the pr
Products From Litepanels, OConnor Sachtler And Anton/Bauer Play Role In 'Mountain Rest'
High-performance products from Litepanels, OConnor, Sachtler, and Anton/Bauer, all Vitec Production Solutions brands, played a starring role in the pr
06/01/2017
Olly Wiggins Selects The OConnor 2560
Crackanory is a storytelling television series for adults, featuring two 15-minute tales, narrated by comedians and actors. It incorporates live actio
Olly Wiggins Selects The OConnor 2560
Crackanory is a storytelling television series for adults, featuring two 15-minute tales, narrated by comedians and actors. It incorporates live actio
16/06/2015
OConnor Introduces New 2560 Ultimate Fluid Head
OConnor, a Vitec Group brand and premier provider of fluid heads, tripods and camera accessories for film and television production, has announced the
OConnor Introduces New 2560 Ultimate Fluid Head
OConnor, a Vitec Group brand and premier provider of fluid heads, tripods and camera accessories for film and television production, has announced the
31/10/2013
OConnor 2575 Selected For 'L'heure bleue'
Italian cinematographer Maura Morales Bergmann depended on the versatile 2575 fluid head by OConnor to shoot the French short film L’heure bleue by di
OConnor 2575 Selected For 'L'heure bleue'
Italian cinematographer Maura Morales Bergmann depended on the versatile 2575 fluid head by OConnor to shoot the French short film L’heure bleue by di
15/10/2013
OConnor Captures The Cow...
OConnor has released news of a new commercial spot for fast-food southeast-based company Backyard Burger, produced by director and cinematographer Jon
OConnor Captures The Cow...
OConnor has released news of a new commercial spot for fast-food southeast-based company Backyard Burger, produced by director and cinematographer Jon
08/10/2013
James Mathers Selects OConnor 2575
For James Mathers' latest production '1000 to 1: The Cory Weissman Story', the renowned cinematographer chose the RED Epic paired with Angenieux, Zeis
James Mathers Selects OConnor 2575
For James Mathers' latest production '1000 to 1: The Cory Weissman Story', the renowned cinematographer chose the RED Epic paired with Angenieux, Zeis
27/08/2013
OConnor Choosen For Evil Dead Remake
The Evil Dead is a 1981 classic cult horror movie directed by Sam Raimi and is famous for its bloody content. For the 2013 remake, Evil Dead, Raimi ch
OConnor Choosen For Evil Dead Remake
The Evil Dead is a 1981 classic cult horror movie directed by Sam Raimi and is famous for its bloody content. For the 2013 remake, Evil Dead, Raimi ch
05/07/2013
OConnor Chosen For 31-City Workshop Tour
Saturday Night Live film unit cinematographer Alex Buono has recently established a 31-city educational workshop tour called The Art of Visual Storyte
OConnor Chosen For 31-City Workshop Tour
Saturday Night Live film unit cinematographer Alex Buono has recently established a 31-city educational workshop tour called The Art of Visual Storyte
15/03/2013
OConnor Announces Blackmagic Compatability
OConnor has announced the compatibility of its family of lens controls and camera accessories with the Blackmagic Design Cinema Camera. Each of the OC
OConnor Announces Blackmagic Compatability
OConnor has announced the compatibility of its family of lens controls and camera accessories with the Blackmagic Design Cinema Camera. Each of the OC
14/12/2012
Wages Selects OConnor For Necessary Roughness
Bill Wages, ASC is glad to be shooting USA’s Necessary Roughness on location in his hometown of Atlanta, Georgia instead of commuting to far locations
Wages Selects OConnor For Necessary Roughness
Bill Wages, ASC is glad to be shooting USA’s Necessary Roughness on location in his hometown of Atlanta, Georgia instead of commuting to far locations