Broadcast News
20/08/2008
Soundfield Ship The SPS200
SoundField, the UK-based microphone manufacturers for the broadcast and audio recording markets, are showing their SPS200 Software Controlled microphone, the most affordable mic in their range, at IBC2008.
Production models of the microphone, which result from a three-year R&D programme are shipping now.
Soundfield staff will be on the company's stand at IBC (Hall 8, Stand E85) to show the product to IBC attendees and answer any questions they may have.
Despite being the 'baby' of the SoundField range, the concept and technology of the SPS200 is derived directly from the more expensive SoundField models and utilises the full capsule array, which is at the heart of all SoundField microphones. The pickup pattern of the mic and its apparent orientation can be altered without physically moving it, and the eventual audio format of the captured audio (mono, stereo or surround) can be decided long after the original performance if required, without any of the phase artefacts associated with audio captured by some multi-mic arrays.
The raw output of the four capsules in the SPS200 or any other SoundField microphone is not usually made available to the end user. All SoundField systems to date have comprised a mic and an associated decoder; the latter handles the conversion of the capsule signals to the more user-controllable four-channel SoundField B-Format. The decoder also offers the user control over how the four phase coherent channels of the B-Format are further combined to create audio signals in more common formats, such as various types of multi-channel surround, stereo with adjustable width, or mono.
Unlike all other SoundField microphones, the SPS200 has no associated hardware decoder box. Instead, it ships with a cross-platform software plug-in, SPS200 Surround Zone, for Pro Tools HD or VST-compatible DAWs, and this performs the job of the hardware decoders in other SoundField microphone systems. The output audio format can be set from mono to six different types of surround sound, via phase-coherent stereo and M&S.
The SPS200 is ideal for one-camera location recording teams who need to originate 5.1 audio surround recording - if you have a laptop, you can generate a wide range of audio formats simultaneously if required, the decoding and control all handled by the software plug-in. At a mere 220 grammes (about half a pound), the mic itself is also well suited to such field recording activities.
Visit the SoundField stand at IBC and check out: www.soundfield.com.
(KMcA)
Production models of the microphone, which result from a three-year R&D programme are shipping now.
Soundfield staff will be on the company's stand at IBC (Hall 8, Stand E85) to show the product to IBC attendees and answer any questions they may have.
Despite being the 'baby' of the SoundField range, the concept and technology of the SPS200 is derived directly from the more expensive SoundField models and utilises the full capsule array, which is at the heart of all SoundField microphones. The pickup pattern of the mic and its apparent orientation can be altered without physically moving it, and the eventual audio format of the captured audio (mono, stereo or surround) can be decided long after the original performance if required, without any of the phase artefacts associated with audio captured by some multi-mic arrays.
The raw output of the four capsules in the SPS200 or any other SoundField microphone is not usually made available to the end user. All SoundField systems to date have comprised a mic and an associated decoder; the latter handles the conversion of the capsule signals to the more user-controllable four-channel SoundField B-Format. The decoder also offers the user control over how the four phase coherent channels of the B-Format are further combined to create audio signals in more common formats, such as various types of multi-channel surround, stereo with adjustable width, or mono.
Unlike all other SoundField microphones, the SPS200 has no associated hardware decoder box. Instead, it ships with a cross-platform software plug-in, SPS200 Surround Zone, for Pro Tools HD or VST-compatible DAWs, and this performs the job of the hardware decoders in other SoundField microphone systems. The output audio format can be set from mono to six different types of surround sound, via phase-coherent stereo and M&S.
The SPS200 is ideal for one-camera location recording teams who need to originate 5.1 audio surround recording - if you have a laptop, you can generate a wide range of audio formats simultaneously if required, the decoding and control all handled by the software plug-in. At a mere 220 grammes (about half a pound), the mic itself is also well suited to such field recording activities.
Visit the SoundField stand at IBC and check out: www.soundfield.com.
(KMcA)
Top Related Stories
Click here for the latest broadcast news stories.
01/10/2009
Soundfield Launch Windproof SPS200 Zephyx Kit
UK microphone manufacturer SoundField used this year's IBC show in Amsterdam to introduce a new version of its SPS200 compact microphone. The SPS200 Z
Soundfield Launch Windproof SPS200 Zephyx Kit
UK microphone manufacturer SoundField used this year's IBC show in Amsterdam to introduce a new version of its SPS200 compact microphone. The SPS200 Z
15/09/2008
SoundField Success At IBC
A UK-based outside broadcast facilities company SISLIVE has revealed that it has purchased a SoundField DSF-2 digital microphone system and accompanyi
SoundField Success At IBC
A UK-based outside broadcast facilities company SISLIVE has revealed that it has purchased a SoundField DSF-2 digital microphone system and accompanyi
20/07/2007
SoundField Poised To Launch Latest Surround Microphone Systems At IBC 2007
SoundField, manufacturer of surround and stereo microphones for the broadcast and recording industries, will be launching several new products at IBC
SoundField Poised To Launch Latest Surround Microphone Systems At IBC 2007
SoundField, manufacturer of surround and stereo microphones for the broadcast and recording industries, will be launching several new products at IBC
30/07/2004
Audio-Technica to exhibit broadcast microphone and wireless microphone portfolio at IBC
Audio-Technica’s shotgun microphones, to be showcased at IBC 2004, set the benchmark for broadcast sound applications, whether for relaying trackside
Audio-Technica to exhibit broadcast microphone and wireless microphone portfolio at IBC
Audio-Technica’s shotgun microphones, to be showcased at IBC 2004, set the benchmark for broadcast sound applications, whether for relaying trackside
27/04/2007
SoundField DSF-2 Digital Microphone System 'Surrounds' NAB
Explaining the benefits of their unique surround sound microphones to the broadcast community, SoundField exhibited at NAB for the first time. Broadca
SoundField DSF-2 Digital Microphone System 'Surrounds' NAB
Explaining the benefits of their unique surround sound microphones to the broadcast community, SoundField exhibited at NAB for the first time. Broadca
20/09/2006
SoundField announce shipment of ST350 microphone
British microphone manufacturer SoundField have begun shipping their compact, portable microphone system, the ST350, which was announced last year. Li
SoundField announce shipment of ST350 microphone
British microphone manufacturer SoundField have begun shipping their compact, portable microphone system, the ST350, which was announced last year. Li
11/10/2016
TSL Products Announce Cinela Collaboration
TSL Products has unveiled details of a further collaboration with Cinela. The companies have teamed up to create the PIANI-SPS200 – a Virtual Reality
TSL Products Announce Cinela Collaboration
TSL Products has unveiled details of a further collaboration with Cinela. The companies have teamed up to create the PIANI-SPS200 – a Virtual Reality
12/04/2023
Audio-Technica's BP3600 Immersive Audio Microphone Now Available
Audio-Technica has announced scheduled availability in Europe and the UK for its recently launched BP3600 Immersive Audio Microphone. A premium broadc
Audio-Technica's BP3600 Immersive Audio Microphone Now Available
Audio-Technica has announced scheduled availability in Europe and the UK for its recently launched BP3600 Immersive Audio Microphone. A premium broadc
15/11/2012
Axon Partners SoundField To Meet HD Audio Up-Mixing Challenge
Netherlands–based Axon Digital Design has announced a new addition to its Synapse modular AV signal processing system. Developed in co-operation with
Axon Partners SoundField To Meet HD Audio Up-Mixing Challenge
Netherlands–based Axon Digital Design has announced a new addition to its Synapse modular AV signal processing system. Developed in co-operation with
17/06/2014
TSL's SoundField Slamdunk
Audio engineer Jonathan Freed is relying on the SoundField DSF-B Digital Broadcast System from TSL Products to capture this year’s pro football and ba
TSL's SoundField Slamdunk
Audio engineer Jonathan Freed is relying on the SoundField DSF-B Digital Broadcast System from TSL Products to capture this year’s pro football and ba
22/10/2004
SoundField microphones provide surround sound at Athens 2004
SoundField microphones were used to provide the surround sound for US National Broadcast at the Olympic games in Athens. The SoundField systems were s
SoundField microphones provide surround sound at Athens 2004
SoundField microphones were used to provide the surround sound for US National Broadcast at the Olympic games in Athens. The SoundField systems were s
07/05/2004
DTS, Genelec, Soundfield and Steinberg to present surround music production seminars at AES Berlin
A series of seminars at the AES Convention, Messe Berlin, are being presented by DTS, Genelec, Soundfield and Steinberg, with special guest appearance
DTS, Genelec, Soundfield and Steinberg to present surround music production seminars at AES Berlin
A series of seminars at the AES Convention, Messe Berlin, are being presented by DTS, Genelec, Soundfield and Steinberg, with special guest appearance
23/04/2001
BBC FAVOUR SOUNDFIELD SURROUND
BBC Bristol have purchased the SoundField MKV System to add to the BBC’s growing collection of SoundField Microphone Systems. The MKV is used for outs
BBC FAVOUR SOUNDFIELD SURROUND
BBC Bristol have purchased the SoundField MKV System to add to the BBC’s growing collection of SoundField Microphone Systems. The MKV is used for outs
23/05/2006
DTS announces DTS-HD Master Audio Suite and DTS Surround Audio Suite
DTS has announced the introduction of DTS-HD Master Audio Suite and the DTS Surround Audio Suite, two new software suites to prepare audio streams for
DTS announces DTS-HD Master Audio Suite and DTS Surround Audio Suite
DTS has announced the introduction of DTS-HD Master Audio Suite and the DTS Surround Audio Suite, two new software suites to prepare audio streams for
07/05/2004
SoundField mic used for Elvis DVD
The SoundField ST250 Microphone System has been used in the re-mixing of ‘Elvis 30 #1 Hits’ for both stereo CD and 5.1 surround DVD. The task of mixin
SoundField mic used for Elvis DVD
The SoundField ST250 Microphone System has been used in the re-mixing of ‘Elvis 30 #1 Hits’ for both stereo CD and 5.1 surround DVD. The task of mixin