Broadcast News

Bookmark and Share
20/04/2007

HSL Keeps The Golden Balls Rolling

HSL pulled out all the stops to deliver in excess of 700 Pulsar Chroma Heart LED fixtures to illuminate the set of the new ITV games show 'Golden Balls' for LD Tom Kinane.
Golden Balls is an Initial produced 40-part series being recorded in TV6 at the BBC’s Wood Lane Studios. It’s directed by Simon Stafford and Julian Smith and aired daily during the 5–6 pm prime time slot on ITV1.
HSL’s project manager Sean McGlone comments: "We already had 150 Chroma Hearts in stock and allocated for this project, and then at the last minute, it was decided to increase the level to over 700 units."
The show is shot in the round. The stunning set designed by Chris Webster is semi-circular and features the Chroma Hearts ensconced into the myriad of holes all across its surface.
The Chroma Heart is absolutely ideal for this type of bespoke application, needing only a +24Volt power supply and three 0 to +10V control signals. The sources in the holed wall were then covered with a series of half domes made from clear plastic prosthetic polystyrene type material, with a matt finish that acts as a diffuser.
This covering also allows the LEDs to be run up to full intensity and therefore produce a fuller range of colours.
The Chroma Hearts are being driven by video content stored on a PixelMAD computer supplied to the show by Sven Pedersen and Ross Williams. Richard Bleasdale created a custom template for them to use with the PixelMAD, allowing them to treat each panel of the set as a whole group of pixels, which really speeded up the mapping process, and Pedersen created special custom content for the lightwall.
Adding massive dynamics and looking great on camera, the lightwall can produce all types of patterns and effects. One of the generic looks Webster and Kinane wanted to achieve was to have a variety of glowing golden orange tints – emulating the ‘golden balls’ - which sometimes undulates gently, ‘breathing’ in the background. There are other static looks for certain sections of the show and then the wall will explode into movement and other colours for stings, play-ins and breaks.
HSL has additionally supplied Robe’s new ColorWash 700 fixtures and JTE PixelPARs for the show and a WholeHog 3 console for control. Pedersen, also programmed these fixtures into the Hog which is being operated for the series by Louise Lesley.
(DS)

VMI.TV Ltd

Top Related Stories
Click here for the latest broadcast news stories.

19/04/2018
Ikegami To Show New Camera Additions At The Media Production Show
Ikegami Electronics (Europe) is to showcase two new additions to its camera range at the the Media Production Show in London, June 12-13. The Ikegami
02/03/2018
Barix To Show Final Shipping Version Of Redundix At 2018 NAB Show
Barix is set to unveil the final shipping version of Redundix, its cost-effective solution that automatically corrects glitches and failures on IP STL
04/02/2020
Donald A. Morgan Uses Chroma-Q® Space Force™ LED Fixtures
Cinematographer Donald A. Morgan utilised Chroma-Q® Space Force™ LED fixtures to provide tunable soft lighting for filming the latest seasons of Netfl
26/04/2016
How To Chroma-Key
Chroma-Keying is the technical term for what most of us refer to as Green Screen shooting and for some of you that is probably the only thing I can te
01/11/2023
Vizrt Teams Up With World Heart Beat
Vizrt is partnering with London-based multi award-winning music charity World Heart Beat, to bring TriCaster® to its new studio in Wandsworth. The vid
25/10/2023
Vizrt Partners With World Heart Beat
Vizrt is partnering with London-based multi award-winning music charity World Heart Beat, to bring TriCaster® to its new studio in Wandsworth. The vid
06/12/2019
SSL At The Heart Of Iconic LA Recording Facility
An iconic recording facility in LA, Larrabee Studios has relied on SSL since day one, according to popular mixing engineer Manny Mannoquin. Marroquin
11/09/2018
Prism Sound Interface Deployed At Heart Of Sacha Puttnam's Workflow
Prism Sound's Titan Audio Interface has been deployed at the heart of composer Sacha Puttnam's workflow. "I spent a long time in film, where cinematog
15/03/2018
Production News : Filming Starts On ITV's Drama 'Dark Heart'
Filming has started on ITV's crime thriller 'Dark Heart' after a successful pilot was broadcast. In 2016, a pilot of Dark Heart aired on ITV Encore, a
20/03/2017
Creative Drive Remains The Beating Heart Of Post Production
We work in an industry where literally "time is money", and while technology and the way we work may have changed over the years, the drive for greate
26/04/2016
Green Screen Soho – Affordable, Reliable, Centrally Located Studio In The Heart Of The West End
Green Screen Soho's purpose-built, bespoke, green screen studio is unique to Central London, offering facilities to shoot everything from single prese
06/02/2015
Production News : London At Heart Of UK Film Production
London is once again at the heart of the UK's film production success, according to new data released by the British Film Institute (BFI) that shows t
17/09/2014
Forbidden At The Heart Of IBC TV
Forbidden Technologies' post-production platform Forscene served as one of the core technologies behind IBC TV’s expansion into year-round programming
09/08/2013
Anton/Bauer, In The Heart Of Texas...
At this year's Texas Association of Broadcasters annual convention and trade show, Anton/Bauer has announced it will be demonstrating its latest ENG s
01/08/2013
RTS ADAM At The Heart Of French Open
RTS systems have recently been involved with France Télévisions in the broadcast of this year's French Open Tennis tournament. At the heart of the RTS