Broadcast News

Bookmark and Share
26/05/2004

VTR complete work on BBC’s ‘Deep Blue’

Soho commercials and digital film post house VTR has completed landmark postproduction on ‘Deep Blue’, the 35mm feature-length ocean documentary now on theatrical release in cinemas worldwide.
The work was carried out through VTR’s D-Cinema@VTR division.
Deep Blue was created as a high-quality cinema experience from more than 7,000 hours of raw material shot for the BBC’s award-winning, eight-hour television series ‘The Blue Planet’. It is the first project to harness the power of Digital Intermediate (DI), a feature film postproduction service offered by D-Cinema@VTR to conveniently re-master broadcast programming for theatrical release.
Conceived at the same time as the television series, Deep Blue was green-lit to meet the growing demand in cinemas for theatrical documentaries. The movie was directed by Alastair Fothergill and Andy Byatt at the world-renowned BBC Natural History Unit, and produced by BBC Worldwide and Greenlight Media.
Key to the visual success of the production are the sharp and vivid images output by the DI team at D-Cinema@VTR, led by colourist Mick Vincent, who conformed, meticulously colour graded, and then mastered the production to 35mm film.
"The demands of working in the oceans meant The Blue Planet television series was shot on a wide variety of different formats,” said Alastair Fothergill. "The DI team at VTR did a wonderful job grading the film and the images look spectacular even on the largest cinema screens."
Mike Fraser, VTR’s cinema consultant, said: "Deep Blue was made possible by the power of DI technology.
"Working closely with the BBC we have helped create a breathtaking filmic experience. Deep Blue demonstrates just how practical DI is in helping producers develop new markets for their programming."
The team at D-Cinema@VTR was involved on Deep Blue from the very first stages of the project, providing technical and creative guidance about optimal ways to repackage the original footage for theatrical distribution on 35mm. The Blue Planet series was shot on a variety of production formats and at different resolutions – including DV, Digital Betacam, Super 16mm, plus 35mm library shots.
BBC editor Martin Elsbury cut the movie to length using selected takes from The Blue Planet series. All of the material, except for the Super 16mm, was upgraded at the BBC to High Definition (1920 x 1080), and delivered to VTR with an EDL. The Super 16mm takes were scanned to the same resolution via Spirit at VTR.
All of the material was then imported into Specter, VTR’s main DI system, for conforming and real-time colour grading. Alastair Fothergill and co-director Andy Byatt spent eight days in Specter, with Mick Vincent, grading the production.
The expertise of VTR’s team in optimising DI for film projection enabled the directors to incorporate practically every shot they had chosen from the raw material.
To ensure the film looked its best on cinema screens, digitally graded sequences were shot out to film on a regular basis via VTR’s Arri laser film recorders and then checked in a screening theatre.
(GB)
VMI.TV Ltd

Top Related Stories
Click here for the latest broadcast news stories.

13/09/2006
Blue Sky Ships New Big Blue Monitor System
Blue Sky International has announced that their highly anticipated Big Blue system has begun shipping to dealers. Announced in late 2005 and previewed
31/01/2006
National Film and Television School students gain DI knowledge with Nucoda Film Master
Digital Vision, a leading developer of advanced digital media applications specialising in film and video solutions, has announced that students at th
14/03/2005
Midnight Transfer brings innovation to DI process with 'DI from Day One'
Top London film dailies house Midnight Transfer announced today the launch of its brand new Digital Intermediate service. Combining the company's expe
21/11/2011
LipSync 'Immersed In The Deep Blue Sea'
The investment and equity services provider, LipSync Productions, and LipSync Post, the full service post-production facility, have completed work on
18/02/2004
Global movie industry dives into 'Deep Blue' with new distribution deals
BBC Worldwide and Greenlight Media have signed a deal with Optimum Releasing, one of the UK's leading independent film distributors of international f
18/09/2001
FILM AND VIDEO ACCESS CENTRE LAUNCH BLUE ROOM
THE FILM and Video Access Centre have announced the launch of the Blue Room. The regular monthly screening event at the Cameo Cinema in Edinburgh will
02/10/2000
GPO FILM UNIT RECEIVES BLUE PLAQUE
THE GPO Film Unit, creators of the acclaimed film ‘Night Mail’ have been honoured with an English heritage Blue plaque at their former studios in Blac
09/04/2008
The Orphanage Brings VFX and DI Processes Together With Film Master
Digital Vision, a provider of picture enhancement systems for film and television post-production, have announced that top visual effects studio The O
14/01/2009
Digital Praxis To Help Build New Chennai, India, DI Operation
Specialist digital film consultancy, Digital Praxis, has been hired by Chennai (Madras)-based film lab 'Gemini', a division of Gemini Industries & Ima
20/08/2007
Europa Cinemas Returns To Venice Film Festival
Europa Cinemas will return once again to this year's Venice Film Festival, awarding its Label prize to the best European film in the Giornate degli Au
30/04/2007
Europa Cinemas Returns To Cannes Film Festival To Award Label Prize
Europa Cinemas will return once again to this years 60th Cannes Film Festival from 16-27 May, awarding its Label prize to the best European film in th
23/08/2006
Europa Cinemas return to 'Label' awards Venice Film Festival
Europa Cinemas will once again award its Label prize to the best European film in the Giornate degli Autori/Venice Days section in the upcoming Venice
21/03/2003
Film Council announce £1m move to increase choice at cinemas
Cinema-goers across the UK should have the opportunity to see a wider choice of films at their local cinemas in future, thanks to a new £1 million a y
24/02/2011
Light Illusion Selects SGO's Mistika's For Annapurna Studios
SGO has announced that specialist digital film consultancy, Light Illusion has installed India's first ever Mistika 4K DI & finishing system with an 8
26/07/2024
Blue Lucy Signs Multi-Year Contract With BBC Studios
Blue Lucy has signed a multi-year contract with BBC Studios, who will continue using its BLAM media management platform. The new contract is an extens