Broadcast News

Bookmark and Share
01/04/2004

MRMC announces Flair robotic camera control upgrade

Two major enhancements to the Flair robotic camera control system will be introduced at NAB 2004 by Mark Roberts Motion Control.
Motion Control is becoming increasingly integrated into the world of computer graphics with the greater use of pre-visualisation and tracking software. Auxiliary axes of virtual motion have been added to Flair's Target Tracking software, allowing detailed adjustments in camera position or orientation to be programmed. Moves are imported from the computer graphics system and then refined within Flair. The extra axes operate like normal axes but their motion is added to the target tracking motion, allowing adjustments in camera position or orientation to be programmed throughout the move without need to adjust the imported data.
This feature was developed for 'The Aviator', in which almost all the motion-controlled camera moves were minutely pre-visualised and approved by the director, Martin Scorsese.
The second new feature, also developed for 'The Aviator', adds roll and tilt to Flair's ability to turn and reorient moves. A 'camera up' point can now be imported into Flair as CGI data, enabling moves to be freely rotated, rolled and tilted. This allows very large vertical moves to be simulated horizontally with the target mounted on its side.
Tilting and rolling imported computer-graphic moves have hitherto been a problem. Combining hardware and software, Flair allows camera moves to be programmed via a PC screen as a series of keyframes, each one stating a set of specific motor positions. Moves can be defined from as little as two keyframes. Once all positions have been entered, the motors will run from start to finish, passing through each intermediate position at the specified time. The overall length of the move can be adjusted and one or more axes manipulated via 2D and 3D graphic displays. Accelerations and decelerations of each axis are independently adjustable. Mimic Mode enables the user to control one or more axes manually, each movement being accurately recorded for later playback. Where the object of interest, called the target, has its own 3D path, Flair's Target Tracking facility enables these paths to be plotted through waypoints and then viewed and manipulated on a customised graphics display. Camera and target speed along their respective paths can be controlled independently.
Other parameters which can be preprogrammed on a dynamic basis are optical focus distance, fade/dissolve effects, single and multiple-exposure frame speed.
(GB)
VMI.TV Ltd

Top Related Stories
Click here for the latest broadcast news stories.

15/02/2013
Camera Corps Demo Advances In Remote Camera Control
Camera Corps (a Vitec Group company) will demonstrate a major advance in remote camera control technology on its 2013 NAB Show booth, C6032. The new R
07/12/2010
Camera Corps To Exhibit Latest Compact Camera Control Systems At BVE 2011
Camera Corps will introduce Switchpad and Mini Joystick Control to be 2011 visitors at London's Earls Court, between February 15 and 17. They will be
03/08/2010
Camera Corps Introduces Multi Camera Keypad Control Unit
Camera Corps' new Multi Camera Keypad Control Unit increases from five to 96 the number of remote camera heads that can be operated via the company's
01/02/2008
Camera Corps Debuts CCU-5 Camera Control Unit At Broadcast Live & Video Forum
Camera Corps (exhibiting on the Polecam stand (C62)) is showing its new CCU-5 camera control unit which allows easy remote operation of many makes and
02/06/2023
Wooden Camera Launches New Elite Accessory Camera System
Wooden Camera has announced the new Elite Accessory System for ARRI ALEXA 35: a series of camera cage components designed to provide a flexible, full-
14/12/2017
GBCT Camera Schools RED Camera Workshop
The Guild of British Camera Technicians is running a series of one-day, practical camera courses for small groups around the country. Run in partnersh
08/05/2015
Miller Camera Supports Young Camera Operator
When 18-year-old high school student Nate Ilardi was looking to kick start his career and gain more traction as an up-and-coming camera operator, he r
13/02/2013
Camera Corps Bring SIMPLY SMPTE Camera To 2013 NAB Show
Camera Corps has chosen the 2013 NAB Show in Las Vegas for the introduction of its SIMPLY SMPTE compact remote camera link to American broadcasters an
15/01/2013
Camera Corps SIMPLY SMPTE Camera Makes BVE Debut
Camera Corps has selected BVE 2013 for the UK launch of its SIMPLY SMPTE compact remote camera link. Exhibiting on stand G16, Camera Corps will demons
30/10/2012
Jigsaw24 - Working With The Blackmagic Design Cinema Camera: The Camera - Part 2
Jigsaw24 - Working With The Blackmagic Design Cinema Camera: The Camera - Part 2 By Liz Sunter The Micro 4/3" Cinema Camera At IBC, Blackmagic Design
30/10/2012
Jigsaw24 - Working With The Blackmagic Design Cinema Camera: The Camera
Jigsaw24 - Working With The Blackmagic Design Cinema Camera: The Camera - Part 1 By Liz Sunter While we've not been shy about getting grabby with the
14/10/2010
Camera Corps Speciality Camera Systems Capture The Action In Delhi
Working in partnership with SIS LIVE, Camera Corps has been providing the speciality camera systems for the 2010 Commonwealth Games in Delhi. A wide r
28/09/2009
Camera Corps' Robotic Camera Scores At IBC
A leading provider of robotic camera technology for studio and location television production, Camera Corps, has reported a very positive response to
15/07/2024
UK's Most Popular Radio Stations Moves To PMC Equipped Studios
After 18 years at Wogan House, BBC Radio 2 has moved back into the nearby BBC Broadcasting House, London, and is housed in new studios designed by spe
09/07/2024
Palmer Digital Group Moves Into New Office Space
Palmer Digital Group has moved into a new 2500 square-foot office space to accommodate the company's rapid business growth over its first five years.