Broadcast News

Bookmark and Share
07/09/2018

80% Of Your Files Are Inactive!

News Image
Recent research suggests that 80% of the computer files in the world are inactive, just sitting there using up disk space and doing nothing. Data has become so disposable, so instantaneous and easy to create it is no wonder we now have 'Zombie Data'. Like the living dead just sitting there doing nothing.

Actually I've appropriated the phrase 'Zombie Data' from a phenomenon found last year on Apples App Store, the 'Zombie App'. According to their own data over 60% of the Apps available on the App Store have never been downloaded, not even once; never, nada, nothing! You'd think someone's Mum might have just done it, one download to show her support, but no, not even that. Must sting!

So how did we reach a place where 80% of our data is Zombie Data, lying there waiting to come back to life?

The computers we buy have bigger internal hard drives, most laptops now ship with 1TB drives, so it's easy to lose track of the amount of data you are walking around with. An iPhone can hold 128GB of data, while adding a micro memory card to some Android handsets could give you 1TB. More space, more room for things to get lost.

Of course this growth in storage is only in response to amount of data we create; Catch 22 anyone?

Zombie Data is really just the stuff we haven't looked at in a while, or maybe since it was created. Every bit of Zombie Data is something we probably saved for a reason. To figure out the reason you saved it you'll need to spend time looking at it.

What does your Zombie Data look like? Playlists you made for the love of your life, who dumped you one cold February evening. The novels started that are really only a cool ending or the new sitcom NBC never knew they had missed out on. Well sitcom? One story you tell every time you're drunk and always gets a big laugh. Then there are the photos and videos.

How many thousands of photographs and videos have you got sat on your computer or phone? Always meaning to review, print, make into an online album or the videos you'll edit into something 'special' for the family. Time? Never enough time to make sense of everything. Easier just to keep everything and buy a bigger computer.

Digital imagery is the single biggest culprit when it comes to excessive data creation and the rise of Zombie Data. There is so much of it and files are all big.

Imagine though if your business is capturing digital imagery? Your entire business is creating folders you know will soon become zombies.

For professional film makers and content producers the issues of 'Zombie Data' are growing more critical by the day.

A finished TV commercial may only be thirty seconds long but it can take many hours of raw material, the rushes, to create that piece of polished end product. A movie can be hundreds of hours of footage, the situation often exacerbated. What do you do with what is left over? Keep it obviously!

Most professional film makers have terabytes of archive material that is in essence Zombie Data. Actually, it's probably unfair to represent this professional digital-film data as Zombie Data; it is more accurate to describe it as 'Cryogenically Frozen' just waiting to be reanimated to its original form and used again. This is a modern day archive, the shelves and shelves of materials of old, now digital-film data assets.

These digital-film data archives represent hundreds of thousands or often tens of millions of pounds of investment. This also causes issues because in most cases the people who conceive of and make the films are commissioned to do so by clients or money men, they don't normally own the material they might want to keep but they have to keep it safe.

So how do you protect your professional digital-film archive and make sure your data can be brought back to life when you need it?

• Firstly, make sure that you have got two copies of the data; hard drive and LTO or preferably two LTO copies.

• Then you have to make sure it is well archived and catalogued, there is no point in resuscitating the wrong corpse or losing a really vital piece of data.

• Finally make sure you hold the two copies in two separate places just in case something happens to one copy, flood, pestilence, fire or Zombie horde at the door.

So why are you struggling to handle and protect the data you create? Because it is a job in itself, a full-time job and as the data gets bigger and bigger the job gets harder and the need for singular approach becomes even more important.

Using an external company, such as Film Locker (www.filmlocker.com) to store your archive is a great option. They are cost effective, experts at what they do and allow the content owner clear line of sight to all their assets using their client login on their bespoke database.

The phenomenon of Zombie Data is not going away; it is just part of our new digital reality, but for businesses it is vital to make sure that these older formats are kept safe and protected for prosperity.

You never know when, in the new digital world, that the tiny project you forgot about can make your fortune.

Author: FilmLocker

www.filmlocker.com
VMI.TV Ltd

Top Related Stories
Click here for the latest broadcast news stories.

30/05/2012
Projecting Europeana Archive Data Through The 3D 'ECloud'
Norway’s projectiondesign has become a headline sponsor of the Europeana General Plenary, to be held in the Belgian city of Leuven from 13-15 June. Ad
12/09/2008
SGL's Flashnet Provides Data Security For Sky Italia Archive Project
Software Generation Ltd (SGL), a leading provider of content archive and storage management software for media and entertainment, has today announced
19/03/2003
Leitch and Rorke Data forge digital archive alliance
Leitch Technology and Rorke Data, a subsidiary of San Jose-based Bell Microproducts, have announced that they have entered into an agreement to delive
19/04/2018
Why Are You Struggling To Handle And Protect The Data You Create?
In 1956 the IBM 350 had 3.75MBs of storage, needed a fork lift truck to move, and was flown around the country in its own plane. It's lot easier to mo
04/01/2017
BFI National Archive Introduces Archive Futures
The BFI National Archive has launched a new development programme Archive Futures. The programme gives archive professionals from around the world the
24/05/2006
Creative Archive pilots content from the BBC regional archive
Every region has been shaped by the iconic news stories of its past, and through the Creative Archive Licence pilot the BBC is opening its archive of
29/10/2007
Zombie Movie Plot Crosses Ulster's Sectarian Divide
A new low budget horror movie being made against a backdrop of sectarian conflict in Belfast is proving to be just a little different. First, in true
04/05/2007
Zombie Thriller '28 Weeks Later' Shot In London's Iconic Trafalgar Square
'28 Weeks Later' is the sequel to 2002 film 28 Days Later, reuniting the creative team of Danny Boyle, Alex Garland, and Andrew Macdonald. Led by dire
16/04/2003
Working Title to shoot zombie comedy
UK-based production Working Title Films are to start shooting romantic zombie comedy 'Shaun Of The Dead' in May. Edgar Wright, director of television
30/08/2001
ZOMBIE NATION CHOOSE VP-1
TL AUDIO based in Letchworth, Herts, have announced that Florian Senfter of Zombie Nation is one of the first high profile artists to take delivery of
22/05/2009
Rushes Create 'Bigger' Euro For Hyundai 130 Commercial
Serious Pictures Director and DOP John Pardue completed this latest instalment, the third in a series of recent commercials also posted at Rushes for
06/02/2019
My Data Is HOW BIG! How Can I Store That?
In 1956 the IBM 350 had 3.75MB’s of storage, needed a fork lift truck to move and was flown around the country in its own plane. It’s lot easier to mo
16/07/2012
Crossroads Systems StrongBox Enterprise LTFS NAS
The Crossroads StrongBox is available from Fortuna PS is an online all-the-time, non-proprietary and fully portable data vault for long-term data rete
10/11/2016
Best Practice For Avoiding Data Loss
We all know the importance of the data and footage we shoot, either for yourself or for that important client, writes Barry Bassett, VMI, and Grant Wo
11/01/2023
Visual Data Announces Two Key Appointments
Visual Data has announced two key appointments with the addition of Suresh Padmanaban as Senior Director of Language Services and Miguel Delgadillo pr