Broadcast News

Bookmark and Share
09/01/2015

Y4K? Delivering On The Promise Of UHD...

News Image
Following a year in which Ultra High Definition finally got the lift-off it deserves, Chris Pollard discusses the future of 4K and the inevitability of its proliferation.

Ever since the introduction of television, there has always been a drive towards higher quality. It may not always seem like that, and improvements have sometimes been slowed by the bean counters, but, by and large, progress has been in a forward direction.

Industry experts (sic) claim that this trend is driven by the equipment manufacturers wanting to sell more, but they are missing the point. It is human nature to want things better – the 64 plate, the iPhone 6 – and often, though not always accurately, new is taken to mean better. When the 405 line standard was launched in the UK, it was touted as 'high definition'. Present day commentators love to trot this one out, and shake their heads in mock derision, but in fact, this wasn't so far from the truth. Each iteration is an improvement on the previous one, and it fulfils a basic human need.

So it is with 4K. Many of those same industry commentators wail about 4K being an irrelevance, a passing fad, but, once again, they are looking in the wrong direction. 4K is the next step on the evolutionary path, and so long as it is noticeably better than the HD system that preceded it – which it is – then consumers will want it. Put simply, people will buy 4K because it is new, and carries a social cachet, and woe betide any provider who buries their head in the sand and refuses to acknowledge it. 4K is being driven by the viewers, not the broadcasters who, despite complaining about the cost, will have to provide the service or see their market share dwindle.

In the most part, it isn't driven by the display manufacturers, either. This argument is getting very old and tired, and is palpably inaccurate. No, the demand is there because consumers want it, and it then simply becomes a matter of price and availability. Even the 'no content, so no sales' argument is largely specious. It only requires one major to commit to procuring 4K content in large volumes, and the avalanche will start.

A parallel is often drawn between the fast-disappearing 3DTV and 4K, but this is erroneous. 3D was always an evolutionary dead end, largely because its proponents failed to grasp the nature of the domestic viewing environment. 4K, in contrast, is the next logical step in the linear evolution of domestic TV consumption. Many broadcasters were stung by the 3D experience, investing in technology and content which turned out not to be what the viewers wanted. It works fine in the cinema, but not at home. 4K, by comparison, fits neatly into the same environment we have all been enjoying since the days of Lord Reith, and its growth is not simply likely – it is inevitable.

One barrier to domestic adoption up to now has been the price of displays, but with 4K sets from mainstream manufacturers now dipping below the £1,000 threshold, we may have reached the tipping point and there is, for sure, more reduction to come.

Delivery of 4K content has also been a sticking point, but the complementary growth of online bandwidth and improvements in encoding mean that this obstacle is fading. It is certainly likely that the majority of 4K content will be delivered online rather than over the air, but this is a consequence, rather than a driver, of the growth of OTT. 4K will be one of the big winners in the online delivery revolution.

4K is now on display in the shops, and it's impressive. Even upscaled HD looks much better on a 4K set, and the 'proper' 4K looks amazing. It's hard to see how it can fail.

One last word of caution, though. I was chatting to a senior developer with a major Japanese broadcaster at IBC this year, who suggested that 4K is only a stepping stone. His thesis was that 8K is the real target, and, having seen the display in the advanced technology hall at the show, I can see his point. The Japanese will be broadcasting in 8K to coincide with the Rio Olympics, so evolution is marching inexorably on. Darwin would be amused.

The article is also available to read in BFV online.

(IT/JP)
VMI.TV Ltd

Top Related Stories
Click here for the latest broadcast news stories.

04/06/2014
BroadcastAsia2014: 4K To Transform Onscreen Viewing
HD (high definition) viewing will soon be a technology of the past, as a result of the proliferation of 4K coming Asia's way. 4K, also commonly known
09/06/2014
4K OK? Understanding UltraHD... (Pt 2)
"The latest workstations and professional laptops are now up to the task of 4K content creation and NLE developers are all beginning to support native
04/04/2014
Sony And FIFA To Collaborate On A Range Of 4K Initiatives
Sony and FIFA (Fédération Internationale de Football Association) have announced they will collaborate on a range of 4K initiatives at the 2014 FIFA W
29/04/2014
Asia Gears Up For 4K
4K is "coming Asia's way," according to the organisers of BroadcastAsia, the digital multimedia and technology conference taking place this year in Si
09/06/2014
4K OK? Understanding UltraHD... (Pt 1)
In a bid to get his head around the intricacies of 4K format ahead of this summer's landmark broadcasting event, editor Iain Todd spoke to some indust
11/04/2016
Why The Push For 4K Production?
Any new technology trend has its believers and detractors, and 4K (or strictly speaking UHD in a television context) is no different. By Tim Felstead,
01/08/2024
JVC Professional Video Announces Availability Of New KM-IP12S8 Series vMix 4K Video Switchers
JVC Professional Video has announced the immediate availability of its new KM-IP12S8 and KM-IP12S8PRO CONNECTED CAM™ vMix Studio Switchers. As complet
08/04/2016
Video Clarity Releases RTM 4K
Video Clarity has released the RTM 4K, a 4K-capable version of the company's RTM real-time audio and video monitoring solutions. In a technological mi
17/10/2013
SMPTE 2013 To Feature 4K Demo
This year's Society of Motion Picture and Television Engineers (SMPTE) Symposium, entitled 'Next-Generation Imaging Formats: More, Faster, and Better
28/01/2019
Adder Launches ALIF4000
Adder Technology has announced the world's first dual-head, high performance 4K IP KVM matrix over a single fiber with the launch of the ADDERLink™ IN
06/11/2013
Panasonic: Preparing For The 4K Explosion
Panasonic remains one of the world's leading exponents, designers and developers of cutting-edge broadcast and communications equipment. After a year
24/04/2014
Sony Adds 4K Live Streaming Support To BRAVIA™ 4K Ultra HD TVs
From August this year, every BRAVIA™ 4K Ultra HD TV owner will be able to enjoy video content streamed with the increasingly popular HEVC (H.265) stan
09/11/2012
4K Or Not 4K – That Is The Question
A producer’s guide to the pros and cons of shooting in 4K What is 4K? Whether a video format is either 'standard' or 'high definition' has always been
09/11/2012
4K Or Not 4K – That Is The Question -Part Two
Native 4K Digital Cameras Systems RED RED EPIC and RED SCARLET RED was the initial trailblazer on the march to 4K. Although the RED One was initially
30/08/2018
Gearhouse Broadcast Invests In Canon And Fujinon Lenses
Gearhouse Broadcast has invested in the latest 4K studio/field and ENG lenses from Canon and Fujinon. The new delivery continues Gearhouse's commitmen