Broadcast News
23/07/2014
Fairlight Debuts EVO.Live At IBC2014
EVO.Live, Fairlight's new generation digital audio mixing system, is to debut in Europe at IBC2014, Booth 7.H17.
EVO.Live offers integrated HD video and multi-track audio recording and can switch between live and post production modes at the touch of a button. This means engineers can use the desk for audio sweetening when it is not needed for on-air applications.
EVO.Live incorporates Fairlight's integrated control surface technology featuring unique Picture Keys that self-label instantly for each task performed.
It also features Fairlight's FPGA-based Crystal Core engine that delivers high channel and bus counts, as well as low latency. The console also provides advanced surround sound mixing capabilities, off-line preparation via laptop, a built-in sound effects cart machine and control extensions to lighting systems, third-party DAWs and sound library databases.
EVO.Live is available in different stand-alone chassis sizes, as well as surface-mounted and table-top configurations, from 12 to 60 faders. An optional second hot-swappable FPGA based engine with dual-input power supplies gives redundancy and further enhanced system reliability.
"EVO.Live is truly unique," says Fairlight's CTO Tino Fibaek. "By combining Live and post-production capabilities in a single console, we have succeeded in delivering a product that is more flexible and more cost effective than any other large format live broadcast console on the market. EVO.Live customers will get a much better return on their investment because they are effectively getting two consoles in one.
"EVO.Live delivers huge benefits in terms of productivity gains, reliability and value for money. By taking the console architecture that we use for our post-production desks and creating a variant to suit live broadcast applications, we have created an incredibly powerful mixing and editing system that customers can use all the time."
www.fairlightau.com
(IT/JP)
EVO.Live offers integrated HD video and multi-track audio recording and can switch between live and post production modes at the touch of a button. This means engineers can use the desk for audio sweetening when it is not needed for on-air applications.
EVO.Live incorporates Fairlight's integrated control surface technology featuring unique Picture Keys that self-label instantly for each task performed.
It also features Fairlight's FPGA-based Crystal Core engine that delivers high channel and bus counts, as well as low latency. The console also provides advanced surround sound mixing capabilities, off-line preparation via laptop, a built-in sound effects cart machine and control extensions to lighting systems, third-party DAWs and sound library databases.
EVO.Live is available in different stand-alone chassis sizes, as well as surface-mounted and table-top configurations, from 12 to 60 faders. An optional second hot-swappable FPGA based engine with dual-input power supplies gives redundancy and further enhanced system reliability.
"EVO.Live is truly unique," says Fairlight's CTO Tino Fibaek. "By combining Live and post-production capabilities in a single console, we have succeeded in delivering a product that is more flexible and more cost effective than any other large format live broadcast console on the market. EVO.Live customers will get a much better return on their investment because they are effectively getting two consoles in one.
"EVO.Live delivers huge benefits in terms of productivity gains, reliability and value for money. By taking the console architecture that we use for our post-production desks and creating a variant to suit live broadcast applications, we have created an incredibly powerful mixing and editing system that customers can use all the time."
www.fairlightau.com
(IT/JP)
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