Broadcast News
20/01/2014
Camera Corps' Q-Ball At BVE
Camera Corps is to demonstrate a remotely controlled camera system based on the Q-Ball compact pan/tilt/zoom head at this year's BVE show.
Exhibiting on stand H05, Camera Corps will be represented at the show by Business Development Director Shaun Glanville and colleagues.
"Since its original introduction at NAB 2009, Q-Ball has proved highly popular and successful across the entire television business," Shaun Glanville comments.
Camera Corps has identified seven main selling points of the system:
•Q-Ball allows live content to be sourced from an unlimited number of cameras without needing a huge team of operators.
•Q-Ball can be positioned anywhere in a studio, across a multi-set production site, indoors or outdoors in practically any climate.
•Q-Ball allows smooth on-air follow-shots.
•Q-Ball is tough enough to be placed right inside the action.
•When supplied in its popular black finish, Q-Ball is almost invisible to other cameras or to a live-event audience.
•Q-Ball can be used in any lighting conditions, including infra-red-illuminated night shooting.
•Q-Ball can be installed easily with short or long-range links plus a range of control and switching options, all built to the exacting standards we require in our own role as a production services support and rental company.
The system is a 1080i high-definition camera with 10:1 zoom optics plus a rotatable pan and tilt head, housed in a cast-aluminum sphere.
(Image - Camera Corps' Q-Ball cameras being used during broadcasting of a BBC Promenade Concert from the Royal Albert Hall, London)
www.cameracorps.co.uk
(IT/MH)
Exhibiting on stand H05, Camera Corps will be represented at the show by Business Development Director Shaun Glanville and colleagues.
"Since its original introduction at NAB 2009, Q-Ball has proved highly popular and successful across the entire television business," Shaun Glanville comments.
Camera Corps has identified seven main selling points of the system:
•Q-Ball allows live content to be sourced from an unlimited number of cameras without needing a huge team of operators.
•Q-Ball can be positioned anywhere in a studio, across a multi-set production site, indoors or outdoors in practically any climate.
•Q-Ball allows smooth on-air follow-shots.
•Q-Ball is tough enough to be placed right inside the action.
•When supplied in its popular black finish, Q-Ball is almost invisible to other cameras or to a live-event audience.
•Q-Ball can be used in any lighting conditions, including infra-red-illuminated night shooting.
•Q-Ball can be installed easily with short or long-range links plus a range of control and switching options, all built to the exacting standards we require in our own role as a production services support and rental company.
The system is a 1080i high-definition camera with 10:1 zoom optics plus a rotatable pan and tilt head, housed in a cast-aluminum sphere.
(Image - Camera Corps' Q-Ball cameras being used during broadcasting of a BBC Promenade Concert from the Royal Albert Hall, London)
www.cameracorps.co.uk
(IT/MH)
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