Broadcast News

Bookmark and Share
18/07/2013

'Higher Resolution - Do We Need It?'

News Image
The IABM (International Association of Broadcasting Manufacturers) latest Technology Event was entiteled "Higher Resolution — Do We Need It?". Hosted June 6 by IABM Director of Business Development and Technology John Ive, the panel addressed how resolutions beyond HD have caught the imagination of professionals and consumers, as well as the benefits and limitations that such resolutions present from acquisition to production to delivery.
"There is no doubt that high resolution beyond HD was the most talked-about topic at NAB this year, but away from the hype of the industry's largest trade show, we will be discussing the issues that matter," said Ive, introducing the topic and panel.
"It's a controversial topic, coming close on the heels of HD and potentially requiring even more end-user investment. Are we on the curve of diminishing perceived quality benefit? Do consumers really care about quality? These questions and many more make higher resolution far from a done deal."
Panelists included Stan Moote, vice president of business development at Harris Broadcast Communications; Richard Salmon, lead research engineer at the BBC; Alan Bright, director of operations at Presteigne Charter Ltd; Peter Sykes, strategic technology manager, at Sony Professional; and David Crawford, professor at the University of Essex.
It was agreed that sports and "vanity projects" were the leaders in HD. Bright noted similarities and differences in the shift to 4K and other high-resolution formats.
"There is the issue of acquiring the best quality for future-proofing an archive, which is what we experienced before with the upgrade to HD, but unfortunately, 4K is much more limiting than when we moved to HD," he said.
"Factors such as how to acquire it and how to record it, frame rates, depth of field — these sorts of issues are very restrictive at the moment and are not allowing the progression to be the same as it was from SD to HD."
"For me, it's that excitement of a new technology, combined with a commitment to a huge existing customer base," added Sony's Sykes.
"For a manufacturer, the important thing is to allow a step-by-step migration to a new technology at the customer's own pace."
"As we take a look at television and it starts to move a little bit more towards 4K and even 8K, I think there will be a convergence because, ultimately, it allows television people to start doing film-type productions, and vice versa," said Moote, discussing the shift of both film and broadcast industries toward higher resolutions.
"As far as equipment manufacturers go, this is a very important aspect to think about because it actually opens up new markets."
www.theiabm.org
(IT/JP)
VMI.TV Ltd

Top Related Stories
Click here for the latest broadcast news stories.

21/08/2008
Russia To Broadcast In Higher Quality With Ross Technology
West District TV in Russia has invested in Ross technology with the purchase of Synergy 1 and Synergy 3 Digital Production Switchers and a SoftMetal V
13/05/2011
Vaddio Announces DomeVIEW HD Series Dome Enclosures For HD-20/HD-18 Cameras
Vaddio has announced the DomeVIEW HD Series Dome Enclosures for ClearVIEW HD-20 and HD-18 PTZ cameras , which provide integrators with a secure camera
02/06/2009
Snell's Alchemist Ph.C - HD Drives Launch Of Canal+ HD, Spain's First HD Channels
The new company formed through the merger of Pro-Bel and Snell & Wilcox, Snell, has announced that leading Spanish pay television company Canal Satéll
25/04/2014
4K HD Technology To Be Unveiled At Salford Conference
The world's first 4K user upgradable 4K digital film camera will receive its UK premiere at a University of Salford conference about the latest 4K Ult
24/04/2014
Sony Adds 4K Live Streaming Support To BRAVIA™ 4K Ultra HD TVs
From August this year, every BRAVIA™ 4K Ultra HD TV owner will be able to enjoy video content streamed with the increasingly popular HEVC (H.265) stan
21/05/2008
Super-Resolution Technology Makes History At Film Festival
'Sounds', the first movie produced with Super-Resolution Technology, came home with multiple awards in several categories at the recently completed Wo
17/07/2015
Avid To Host 4K & Resolution Independence Pro Video Event in New York
Avid will host a 4K & Resolution Independence Pro Video Event in New York on July 29, where attendees will discover how Avid Resolution Independence a
17/09/2013
Gefen 4x1 HDMI Switcher Delivers 4k Resolution
Digital connectivity solutions provider Gefen today announced that its 4x1 Switcher for HDMI 4k/2k is available to order, with shipments beginning in
07/06/2019
Ikegami To Bring Full-HD HDR & Ultra-HD HDR Ranges To Broadcast Asia
Ikegami is preparing for its trip to Broadcast Asia 2019 as the company looks to showcase its Full-HD HDR and Ultra-HD HDR camera systems and monitors
02/04/2015
Cobham's SOLO7 HD Nano Transmitter Deployed For VeloVue HD System
Cobham Tactical Communications and Surveillance has been deployed as part of Broadcast RF's new VeloVue HD system. Designed by Broadcast RF and built
09/06/2014
4K OK? Understanding UltraHD... (Pt 2)
"The latest workstations and professional laptops are now up to the task of 4K content creation and NLE developers are all beginning to support native
26/07/2012
MultiDyne Introduce New HD-6000 and HD-6000-ONE CWDM Multiplexer
MultiDyne®, a leading provider of fiber optic-based video and audio transport solutions for broadcast and pro A/V applications, today introduced a pow
06/07/2012
TV Globo Opts For EVS XT3 Servers For HD Studios And New HD Truck
EVS, a leading provider of broadcast and media production systems for sports, news and TV entertainment, has announced that Brazil’s largest broadcast
06/07/2012
SSL C10 HD Compact Broadcast Console Completes HD Transition
A Solid State Logic C10 HD Compact Broadcast Console, is driving the audio in the new HD facilities for Channel 5 Public Broadcasting (KNPB). In addit
22/11/2011
SeeSense Announces New Meuser HD Lens For Toshiba HD Camera
SeeSense has announced the addition of the new Meuser Optik 3.5mm (69° FOV) 1/3” prism compatible HD lens to their armoury of compatible lenses for th