Broadcast News

Bookmark and Share
08/05/2013

EVS Trials 4K Replays For Champions League

News Image
EVS, supplier of live video production systems, trialled its XT3-LSM system for live 4K replays during the recent Champions League semi-final between Bayern Munich and FC Barcelona.
The testing follows the success of an initial live 4K trial for outside broadcast production company Kyodo Television in Japan, as well as private 4K demos at NAB2013.
OB company TopVision turned to EVS to run a live 4K test in parallel to the HD live broadcast. A Sony F55 camera was tied electronically to an EVS XT3 server and an AJA Corvid that allowed operators to zoom into the picture and replay segments in slow motion. As the XT3 was designed to be future proof and was built with flexible configuration in mind, it allows bandwidth and storage capacity to be tailored to suit the application.
"In today’s broadcast environment, servers need to be flexible; this is the guiding principle behind the XT3. It’s because of this flexible configuration that the four channels could be linked, to cope with the four 3G-SDI feeds required to carry a 4K signal. This means operators were able to use a standard LSM control panel to manage the 4K recording and replay," explained Luc Doneux, SVP Sports division at EVS.
"Flexibility is key to saving time and money and coupled with the fact that the XT3 moulds easily into existing infrastructure makes it very effective. As the workflow remains essentially the same, LSM operators didn’t need any further training and other than the improved image quality there is little practical difference when transitioning to 4K, making it simple and cost-effective for all involved."
For the Champions League match in Munich the XT3 4K solution was configured as a one-in, one-out system. This enabled continuous recording while providing random access replays of any 4K content on the server at the same time. However, EVS are working on a solution to perform up to three 4K channels on one XT3, either two records and one replay or one record and two replays.
"Sports broadcasting is evolving fast and equipment like the XT3 server gives broadcasters the chance to explore new live production experiences easily because it integrates with their existing infrastructure," added Doneux.
"Replays from alternative camera angles, slow motion and close ups that capture every detail are now something that sports fans expect their broadcaster to provide and this will remain a vital requirement for 4K and beyond."
www.evs.com
(IT/CD)
VMI.TV Ltd

Top Related Stories
Click here for the latest broadcast news stories.

24/04/2014
Sony Adds 4K Live Streaming Support To BRAVIA™ 4K Ultra HD TVs
From August this year, every BRAVIA™ 4K Ultra HD TV owner will be able to enjoy video content streamed with the increasingly popular HEVC (H.265) stan
09/06/2014
4K OK? Understanding UltraHD... (Pt 2)
"The latest workstations and professional laptops are now up to the task of 4K content creation and NLE developers are all beginning to support native
04/06/2014
BroadcastAsia2014: 4K To Transform Onscreen Viewing
HD (high definition) viewing will soon be a technology of the past, as a result of the proliferation of 4K coming Asia's way. 4K, also commonly known
09/11/2012
4K Or Not 4K – That Is The Question -Part Two
Native 4K Digital Cameras Systems RED RED EPIC and RED SCARLET RED was the initial trailblazer on the march to 4K. Although the RED One was initially
09/11/2012
4K Or Not 4K – That Is The Question
A producer’s guide to the pros and cons of shooting in 4K What is 4K? Whether a video format is either 'standard' or 'high definition' has always been
04/04/2014
Sony And FIFA To Collaborate On A Range Of 4K Initiatives
Sony and FIFA (Fédération Internationale de Football Association) have announced they will collaborate on a range of 4K initiatives at the 2014 FIFA W
09/06/2014
4K OK? Understanding UltraHD... (Pt 1)
In a bid to get his head around the intricacies of 4K format ahead of this summer's landmark broadcasting event, editor Iain Todd spoke to some indust
29/04/2014
Asia Gears Up For 4K
4K is "coming Asia's way," according to the organisers of BroadcastAsia, the digital multimedia and technology conference taking place this year in Si
24/01/2005
Doremi announces D-Cinema 3D & 48fps single-box replays
Doremi Technologies is now offering capabilities for D-Cinema replays to provide enhanced viewing experiences. Additions to the 2K-capable Doremi V1-H
15/05/2014
EVS XT3 Servers Integrate With GV 6X Camera
The latest EVS XT3 live video production server offers full support for the LDX HiSpeed (LDX HS™) 3X and LDX XtremeSpeed (LDX XS™) 6X Super Slow-Motio
12/01/2024
AJA Releases Dante AV 4K v1.1
AJA Video Systems has released Dante AV 4K v1.1, the first update for its Dante AV 4K-T and 4K-R transmitter/receiver converters, which enable the tra
11/04/2016
Why The Push For 4K Production?
Any new technology trend has its believers and detractors, and 4K (or strictly speaking UHD in a television context) is no different. By Tim Felstead,
06/07/2012
TV Globo Opts For EVS XT3 Servers For HD Studios And New HD Truck
EVS, a leading provider of broadcast and media production systems for sports, news and TV entertainment, has announced that Brazil’s largest broadcast
26/09/2023
RE:LIVE Productions Acquires Ikegami UHK-X700 4K-UHD Camera Systems
RE:LIVE Productions, formerly known as Pufferfish Productions, one of Singapore's leading providers of creative video, event management and live strea
18/05/2022
Hitachi Kokusai To Display 4K Live Production Camera Innovations
The new SK-UHD7000 4K Ultra HD live production camera system from Hitachi Kokusai Electric America, Ltd. (Hitachi Kokusai) will make its first profess