Broadcast News
03/05/2012
Winner Of Focal International Awards 2012 Announced
The ninth annual FOCAL International Awards in association with AP Archive took place last night at The Lancaster London Hotel, with winning entries spanning the decades and unearthing stunning footage illustrating a wide variety of topics, including life in the former USSR, racial segregation, the passion of motor racing and the chilling beauty of degraded film.
The standout project at this year’s awards was Senna (Working Title/Universal Pictures - UK), winning two out of its three nominated categories, and also deemed worthy of a special award for its research team.
Sue Malden, Chair, FOCAL International, said: "This year’s entries were very special indeed. With more than 180 submissions from 18 countries the judges had a difficult task on their hands. The winners – from the UK, USA, France, Germany, Ireland and the Netherlands - all demonstrated outstanding use of archive material, and highlighted the importance of preserving film in order to remind us of our collective history. We thank our sponsors, organisers and nominees for making this year’s event so inspiring and enjoyable."
The awards’ host, journalist and broadcaster John Sergeant, revealed the winners (shown with asterisks below) in the following categories:
Best Use of Footage in a Factual Production
Note: Due to the overwhelming number of submissions in the Factual category, three separate awards of equal standing are awarded annually in this category.
• Blacks of France From 1889 to today (Noirs de France) - Compagnie Phares et Balises (France)
• Entertaining the Troops - BBC Entertainment (UK)
• The Loving Story - Augusta Films, LLC (USA)
•9/11 Emergency Room - Testimony Films (UK)
•Bernadette: notes on a political journey - Digital Quilts (Ireland)
•Lost and Found: Nazi Wolframite - SIC - Sociedade Independente de Comunicação (Portugal)
•POV: My Perestroika - Red Square Productions (USA)
•The Boy Who Was a King – Agitprop (Bulgaria)
•Timeshift: All the Fun of the Fair – BBC (UK)
Best Use of Footage in an Entertainment or Drama Production
• Night on Film: An A-Z of the Dark - BBC Entertainment (UK)
•The Story of Variety with Michael Grade - BBC Entertainment (UK)
•The Toys That Made Christmas - BBC Entertainment (UK)
Best Use of Footage in an Arts Production
•The Camera That Changed the World - Lambent Productions (UK)
•Eames: The Architect and the Painter - Bread and Butter Films & Quest Productions (USA)
•Hollywood Invasion - NBC Universal Global Networks Italia (Italy)
Best Use of Footage in an Arts Productionfeaturing Music
•Harry Belafonte - Sing your Song - S2BN Belafonte Production (USA)
•Queen - Days of Our Lives - Globe Productions (UK)
•The Godmother of Rock & Roll - Antelope South Limited (UK)
Best Use of Wildlife and Natural History Footage
• Broken Tail - Crossing the Line Films (Ireland)
•Brutal Killers - The Netherlands Institute for Sound and Vision (Netherlands)
•Deadly 360 - BBC Natural History Unit (UK)
Best Use of Sports Footage
•Senna - Working Title/Universal Pictures (UK)
•Mighty Jerome - National Film Board of Canada – NFB (Canada)
•The Bert Trautmann Story - Testimony Films (UK)
Best Use of Footage in a Short Production
•Liquidator - EYE Film Institute (Netherlands)
•Save The Children ‘No Child Born to Die’ - STALKR (UK)
•The Magic Loungeabout - Archive Oracle Productions (UK)
Best Use of Footage on Non-television Platforms
• Farewell Comrades! Interactive
Best Use of Footage in a Home Entertainment Release
• Rosie Newman's Britain at War in Colour - Imperial War Museums Film Archive (UK)
•Senna - Universal Pictures/Working Title (UK)
•The Persuaders - The Complete Series – BBC/Network Distributing Ltd (UK)
Best Use of Footage in a Cinema Release
•Senna - Working Title/Universal Pictures (UK)
•Queen - Days of Our Lives - Globe Productions (UK)
•The Extraordinary Voyage - Steamboat Films (France)
Best Archive Restoration / Preservation Project
• Desmet Collection - EYE Film Institute/Haghefilm Laboratories (Netherlands)
ITN Digital Archive - ITN Source/Deluxe 142 (UK)
•Tales from the Shipyard (This Working Life) - BFI National Archive (UK)
Best Archive Restoration / Preservation Title
•A Trip to the Moon (1902) - colour version - Lobster Films / Technicolor Foundation for Film Heritage / Groupama Gan Foundation for Cinema in association with Archives Françaises du Film and M. Malthête Méliès (France/USA)
•Shoes (1916) - EYE Film Institute Netherlands/Haghefilm Conservation B.V. (Netherlands)
•The Loves of Pharaoh (Das Weib des Pharao) (1921) - Alpha-Omega Digital, George Eastman House, Bundesarchiv Filmarchiv, Filmmuseum Munich, ARTE/ZDF (Germany/USA)
The Jane Mercer Footage Researcher of the Year
• Denis Karam, Zig Zag Productions
Footage Library Employee of the Year
•Paul McAllister – Screenocean
•Obi Adumekwe, AP Archive
•Serena Sharp, Clips & Footage
•Eric Simon, Getty Images
Footage Library of the Year
•British Pathé
•AP Archive
•Journeyman Pictures
Special Award
•Footage Research Team – Senna (Working Title/Universal Pictures - UK)
Lifetime Achievement
• Rick Prelinger
www.focalint.org
The standout project at this year’s awards was Senna (Working Title/Universal Pictures - UK), winning two out of its three nominated categories, and also deemed worthy of a special award for its research team.
Sue Malden, Chair, FOCAL International, said: "This year’s entries were very special indeed. With more than 180 submissions from 18 countries the judges had a difficult task on their hands. The winners – from the UK, USA, France, Germany, Ireland and the Netherlands - all demonstrated outstanding use of archive material, and highlighted the importance of preserving film in order to remind us of our collective history. We thank our sponsors, organisers and nominees for making this year’s event so inspiring and enjoyable."
The awards’ host, journalist and broadcaster John Sergeant, revealed the winners (shown with asterisks below) in the following categories:
Best Use of Footage in a Factual Production
Note: Due to the overwhelming number of submissions in the Factual category, three separate awards of equal standing are awarded annually in this category.
• Blacks of France From 1889 to today (Noirs de France) - Compagnie Phares et Balises (France)
• Entertaining the Troops - BBC Entertainment (UK)
• The Loving Story - Augusta Films, LLC (USA)
•9/11 Emergency Room - Testimony Films (UK)
•Bernadette: notes on a political journey - Digital Quilts (Ireland)
•Lost and Found: Nazi Wolframite - SIC - Sociedade Independente de Comunicação (Portugal)
•POV: My Perestroika - Red Square Productions (USA)
•The Boy Who Was a King – Agitprop (Bulgaria)
•Timeshift: All the Fun of the Fair – BBC (UK)
Best Use of Footage in an Entertainment or Drama Production
• Night on Film: An A-Z of the Dark - BBC Entertainment (UK)
•The Story of Variety with Michael Grade - BBC Entertainment (UK)
•The Toys That Made Christmas - BBC Entertainment (UK)
Best Use of Footage in an Arts Production
•The Camera That Changed the World - Lambent Productions (UK)
•Eames: The Architect and the Painter - Bread and Butter Films & Quest Productions (USA)
•Hollywood Invasion - NBC Universal Global Networks Italia (Italy)
Best Use of Footage in an Arts Productionfeaturing Music
•Harry Belafonte - Sing your Song - S2BN Belafonte Production (USA)
•Queen - Days of Our Lives - Globe Productions (UK)
•The Godmother of Rock & Roll - Antelope South Limited (UK)
Best Use of Wildlife and Natural History Footage
• Broken Tail - Crossing the Line Films (Ireland)
•Brutal Killers - The Netherlands Institute for Sound and Vision (Netherlands)
•Deadly 360 - BBC Natural History Unit (UK)
Best Use of Sports Footage
•Senna - Working Title/Universal Pictures (UK)
•Mighty Jerome - National Film Board of Canada – NFB (Canada)
•The Bert Trautmann Story - Testimony Films (UK)
Best Use of Footage in a Short Production
•Liquidator - EYE Film Institute (Netherlands)
•Save The Children ‘No Child Born to Die’ - STALKR (UK)
•The Magic Loungeabout - Archive Oracle Productions (UK)
Best Use of Footage on Non-television Platforms
• Farewell Comrades! Interactive
Best Use of Footage in a Home Entertainment Release
• Rosie Newman's Britain at War in Colour - Imperial War Museums Film Archive (UK)
•Senna - Universal Pictures/Working Title (UK)
•The Persuaders - The Complete Series – BBC/Network Distributing Ltd (UK)
Best Use of Footage in a Cinema Release
•Senna - Working Title/Universal Pictures (UK)
•Queen - Days of Our Lives - Globe Productions (UK)
•The Extraordinary Voyage - Steamboat Films (France)
Best Archive Restoration / Preservation Project
• Desmet Collection - EYE Film Institute/Haghefilm Laboratories (Netherlands)
ITN Digital Archive - ITN Source/Deluxe 142 (UK)
•Tales from the Shipyard (This Working Life) - BFI National Archive (UK)
Best Archive Restoration / Preservation Title
•A Trip to the Moon (1902) - colour version - Lobster Films / Technicolor Foundation for Film Heritage / Groupama Gan Foundation for Cinema in association with Archives Françaises du Film and M. Malthête Méliès (France/USA)
•Shoes (1916) - EYE Film Institute Netherlands/Haghefilm Conservation B.V. (Netherlands)
•The Loves of Pharaoh (Das Weib des Pharao) (1921) - Alpha-Omega Digital, George Eastman House, Bundesarchiv Filmarchiv, Filmmuseum Munich, ARTE/ZDF (Germany/USA)
The Jane Mercer Footage Researcher of the Year
• Denis Karam, Zig Zag Productions
Footage Library Employee of the Year
•Paul McAllister – Screenocean
•Obi Adumekwe, AP Archive
•Serena Sharp, Clips & Footage
•Eric Simon, Getty Images
Footage Library of the Year
•British Pathé
•AP Archive
•Journeyman Pictures
Special Award
•Footage Research Team – Senna (Working Title/Universal Pictures - UK)
Lifetime Achievement
• Rick Prelinger
www.focalint.org
Top Related Stories
Click here for the latest broadcast news stories.
08/06/2010
UK Film Industry Substantial, Report Says
The UK film industry contributes a total of over £4.5 billion a year to UK GDP and more than £1.2 billion to the Exchequer, according to an independen
UK Film Industry Substantial, Report Says
The UK film industry contributes a total of over £4.5 billion a year to UK GDP and more than £1.2 billion to the Exchequer, according to an independen
17/06/2005
UK Film Council welcomes 'MOT' role for UK film production
The UK Film Council has welcomed the announcement of a ‘stocktake’ of film policy by Minister for Creative Industries, James Purnell, in a bid to see
UK Film Council welcomes 'MOT' role for UK film production
The UK Film Council has welcomed the announcement of a ‘stocktake’ of film policy by Minister for Creative Industries, James Purnell, in a bid to see
24/07/2007
Film Industry Contribution To UK GDP Up 39% In 2006
The UK film industry contributed £4.3 billion to UK GDP in 2006, up from £3.1 billion in 2004, a 39% increase in two years according to an independent
Film Industry Contribution To UK GDP Up 39% In 2006
The UK film industry contributed £4.3 billion to UK GDP in 2006, up from £3.1 billion in 2004, a 39% increase in two years according to an independent
02/11/2007
Film Festivals Receive Boost From UK Lottery
Film festivals across the UK will be part of a new £4.5 million drive to raise the profile of British film and give people of all ages and backgrounds
Film Festivals Receive Boost From UK Lottery
Film festivals across the UK will be part of a new £4.5 million drive to raise the profile of British film and give people of all ages and backgrounds
27/01/2005
UK film production spending totals £800 million in 2004
Film production spending in the UK totalled more than £800 million last year, with 'Harry Potter and the Goblet of Fire' and 'Pride and Prejudice' hel
UK film production spending totals £800 million in 2004
Film production spending in the UK totalled more than £800 million last year, with 'Harry Potter and the Goblet of Fire' and 'Pride and Prejudice' hel
15/01/2007
2006 Marks Second Best Year For Film Funding
The UK Film Council has revealed the amount of money spent in 2006 on making films in the UK soared by 48% to reach £840 million making it the second
2006 Marks Second Best Year For Film Funding
The UK Film Council has revealed the amount of money spent in 2006 on making films in the UK soared by 48% to reach £840 million making it the second
12/01/2004
Record 'double-take' of £1.17bn for UK film industry
Several top-drawer big-budget films including the latest Harry Potter, a Bridgit Jones follow-up and a remake of 'Alfie' helped the UK film production
Record 'double-take' of £1.17bn for UK film industry
Several top-drawer big-budget films including the latest Harry Potter, a Bridgit Jones follow-up and a remake of 'Alfie' helped the UK film production
17/11/2009
Film Council 'To Steer Film Through Recession'
The UK Film Council has launched a three-month public consultation into the most significant revision of its activities since it was created in 2000.
Film Council 'To Steer Film Through Recession'
The UK Film Council has launched a three-month public consultation into the most significant revision of its activities since it was created in 2000.
15/04/2013
BFI Announces New Film Training
The British Film Institute has announced that new organisation Film Nation UK will deliver a film education programme for 5-19 year-olds from Septembe
BFI Announces New Film Training
The British Film Institute has announced that new organisation Film Nation UK will deliver a film education programme for 5-19 year-olds from Septembe
27/08/2007
UK Cinema-Goers Go 'Ooh La La' For French Film
UK cinema-goers are becoming more continental in their cinema tastes according to the latest UK box office statistics released by the UK Film Council.
UK Cinema-Goers Go 'Ooh La La' For French Film
UK cinema-goers are becoming more continental in their cinema tastes according to the latest UK box office statistics released by the UK Film Council.
12/06/2003
UK Film Council report detailed take on film
A report released by the UK Film Council has revealed that almost 51,000 people are engaged in the film industry and that more than one in four people
UK Film Council report detailed take on film
A report released by the UK Film Council has revealed that almost 51,000 people are engaged in the film industry and that more than one in four people
18/05/2007
Main UK Film Funders Announce Agreement With Pact
BBC Films, Film4 and the UK Film Council, the three principal public funders of feature films in the UK, together with Pact, have confirmed that an ag
Main UK Film Funders Announce Agreement With Pact
BBC Films, Film4 and the UK Film Council, the three principal public funders of feature films in the UK, together with Pact, have confirmed that an ag
12/05/2004
Expanded UK Film Centre promotes UK industry at Cannes
The UK Film Centre, which promotes the UK film industry in the international marketplace, will be providing an expanded range of business services in
Expanded UK Film Centre promotes UK industry at Cannes
The UK Film Centre, which promotes the UK film industry in the international marketplace, will be providing an expanded range of business services in
29/06/2017
Future Film Skills – An Action Plan
The BFI has launched Future Film Skills – An Action Plan at the House of Commons alongside the Culture Secretary, Karen Bradley, and producer Barbara
Future Film Skills – An Action Plan
The BFI has launched Future Film Skills – An Action Plan at the House of Commons alongside the Culture Secretary, Karen Bradley, and producer Barbara
17/11/2017
UK Studios: An International Success Story
It has often been said that Hollywood is the most recognisable film industry in the world, with hundreds of movies and television series generated eve
UK Studios: An International Success Story
It has often been said that Hollywood is the most recognisable film industry in the world, with hundreds of movies and television series generated eve