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Broadcast News
17/11/2014
FilmLight To Show Its Total Pipeline Solution At Inter BEE
FilmLight has announced it will show its total pipeline solution at Inter BEE 2014, Makuhari Messe, Chiba City, Japan, 19–21 November.
Workflows will be on display, demonstrating FilmLight's colour-accurate framework from set to final delivery.
Kyodo Television is already using the FilmLight workflow extensively for its 4K, 60fps TV productions. On set, the FilmLight FLIP is used to define complex looks that reflect closely the vision of the director and DoP. This grade is preserved through to the finishing suites, where the graded material is available for offline and online edits in Avid at the same time as being refined in Baselight. It is a true collaboration between the director, the FLIP and Baselight operators, and the Avid editors.
The FLIP to Baselight workflow will be demonstrated in full on the Inter BEE 2014 stand (Hall 4, booth 4412). FilmLight will also exhibit Daylight, the new Mac Pro software solution for near-set colour grading. Daylight integrates into FilmLight’s colour pipeline to help DoPs and directors establish looks and visualise what they have shot, on set or on location.
(CD)
Workflows will be on display, demonstrating FilmLight's colour-accurate framework from set to final delivery.
Kyodo Television is already using the FilmLight workflow extensively for its 4K, 60fps TV productions. On set, the FilmLight FLIP is used to define complex looks that reflect closely the vision of the director and DoP. This grade is preserved through to the finishing suites, where the graded material is available for offline and online edits in Avid at the same time as being refined in Baselight. It is a true collaboration between the director, the FLIP and Baselight operators, and the Avid editors.
The FLIP to Baselight workflow will be demonstrated in full on the Inter BEE 2014 stand (Hall 4, booth 4412). FilmLight will also exhibit Daylight, the new Mac Pro software solution for near-set colour grading. Daylight integrates into FilmLight’s colour pipeline to help DoPs and directors establish looks and visualise what they have shot, on set or on location.
(CD)
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