Broadcast News
14/10/2014
Rotolight Scores Highly In TLCI Lighting Test
The Rotolight LED Lighting range was recently put through its paces by former BBC Research Engineer and colour science expert Alan Roberts, developer of the Television Lighting Consistency Index (TLCI), fast becoming the industry standard for gauging the quality of broadcast lighting.
The Rotolight ANOVA Bi Colour V2 studio/location LED light and soon to be released Rotolight NEO on camera light both placed in the top category with scores of 86 and 85 respectively, tested at their midpoint (4500K). According to the TLCI scale, a score of 85 or higher as achieved by Rotolight is regarded as ideally suited for professional television/broadcast use with "errors so small that a colourist would not consider correcting them".
The TLCI index, which has now been adopted by the European Broadcasting Union (EBU), scores lights in five categories ranging from the poorest quality (0-25) where according to the scale "colour rendering is bad and results may not be acceptable for broadcast," up to the highest category (>85). Results are published by the Guild of Television Cameramen at: www.gtc.org.uk/tlci-results.
Rod Aaron Gammons, Managing Director of Rotolight, said: "Rotolight's multi award winning LED Studio, Location and on Camera lighting products have rapidly become the leading choice amongst broadcasters and cinematographers around the world, and these independent TLCI results confirm the quality and colour accuracy and quality of our British-made lighting products, designed for the most demanding of professionals."
The need for quantifying the quality of lighting for the broadcast and film industry is becoming paramount. As lesser quality lighting systems are entering the market, more attention is being paid to the problems of correct colour performance, especially when mixing sources. Colour Rendering index or CRI has been the accepted standard for years and was originally developed for measuring Tungsten lighting, but it became apparent that CRI was particularly unreliable as a measure of LED colour accuracy.
CRI is a metric of the human eye and offers little about how a light source might render colour on camera sensors. The human eye is very forgiving when responding to colour and continually adjusts to correct. Camera sensors don't have this mechanism and are designed to give a true representation of colour in what it 'sees'. The CRI result is broken up into colour bands, such as R9, that signifies 'saturated red' and is outside the gamut of a television camera – thus creating an unreliable result.
The Process in testing the TLCI is very similar to the CRI test, although focuses much more on the gamut of a television camera and uses the industry standard 'X-Rite ColorChecker Chart' as a key reference. When testing, the TLCI-2012 software samples the light source at particular colour temperatures (such as tungsten 3200K) and compares it with virtual readings of the 'true' colour temperature that has been pre-programmed and tests the results against the colour chart. As further comparison it also refers to a model of a standard camera response created from the averages of many commercial cameras.
The recently announced Rotolight NEO on camera and location LED light, which also scored in the top TLCI category, builds on Rotolight's multi-award winning LED technology used by industry leaders around the world including BBC, NBC, CNN, Disney and ITV to name a few.
It was developed at Pinewood Studios UK, after years of extensive feedback from leading cinematographers and photographers. Providing a highly versatile solution for run-and-gun news shooters, filmmakers or still photographers, it is easy to use and fast to set up, great on location or in a studio.
NEO's 120 LEDs offer full spectrum colour reproduction with an overall CRI=95 (Skin tone>98) and can be accurately dialed from 3150K to 6300K in ten degree Kelvin steps. It features an intuitive dual rotary encoder control system for rapid brightness and colour temperature adjustment in the field, and Rotolight's 'Dynamic Drift Compensation' for smooth dimming from 0%-100% with no colour shift. NEO can be powered by six AA batteries for up to five hours (or three hours at 100% power), AC adapter or D-TAP cable, drawing only 9W at full power.
Read the article in BFV online.
(IT/JP)
The Rotolight ANOVA Bi Colour V2 studio/location LED light and soon to be released Rotolight NEO on camera light both placed in the top category with scores of 86 and 85 respectively, tested at their midpoint (4500K). According to the TLCI scale, a score of 85 or higher as achieved by Rotolight is regarded as ideally suited for professional television/broadcast use with "errors so small that a colourist would not consider correcting them".
The TLCI index, which has now been adopted by the European Broadcasting Union (EBU), scores lights in five categories ranging from the poorest quality (0-25) where according to the scale "colour rendering is bad and results may not be acceptable for broadcast," up to the highest category (>85). Results are published by the Guild of Television Cameramen at: www.gtc.org.uk/tlci-results.
Rod Aaron Gammons, Managing Director of Rotolight, said: "Rotolight's multi award winning LED Studio, Location and on Camera lighting products have rapidly become the leading choice amongst broadcasters and cinematographers around the world, and these independent TLCI results confirm the quality and colour accuracy and quality of our British-made lighting products, designed for the most demanding of professionals."
The need for quantifying the quality of lighting for the broadcast and film industry is becoming paramount. As lesser quality lighting systems are entering the market, more attention is being paid to the problems of correct colour performance, especially when mixing sources. Colour Rendering index or CRI has been the accepted standard for years and was originally developed for measuring Tungsten lighting, but it became apparent that CRI was particularly unreliable as a measure of LED colour accuracy.
CRI is a metric of the human eye and offers little about how a light source might render colour on camera sensors. The human eye is very forgiving when responding to colour and continually adjusts to correct. Camera sensors don't have this mechanism and are designed to give a true representation of colour in what it 'sees'. The CRI result is broken up into colour bands, such as R9, that signifies 'saturated red' and is outside the gamut of a television camera – thus creating an unreliable result.
The Process in testing the TLCI is very similar to the CRI test, although focuses much more on the gamut of a television camera and uses the industry standard 'X-Rite ColorChecker Chart' as a key reference. When testing, the TLCI-2012 software samples the light source at particular colour temperatures (such as tungsten 3200K) and compares it with virtual readings of the 'true' colour temperature that has been pre-programmed and tests the results against the colour chart. As further comparison it also refers to a model of a standard camera response created from the averages of many commercial cameras.
The recently announced Rotolight NEO on camera and location LED light, which also scored in the top TLCI category, builds on Rotolight's multi-award winning LED technology used by industry leaders around the world including BBC, NBC, CNN, Disney and ITV to name a few.
It was developed at Pinewood Studios UK, after years of extensive feedback from leading cinematographers and photographers. Providing a highly versatile solution for run-and-gun news shooters, filmmakers or still photographers, it is easy to use and fast to set up, great on location or in a studio.
NEO's 120 LEDs offer full spectrum colour reproduction with an overall CRI=95 (Skin tone>98) and can be accurately dialed from 3150K to 6300K in ten degree Kelvin steps. It features an intuitive dual rotary encoder control system for rapid brightness and colour temperature adjustment in the field, and Rotolight's 'Dynamic Drift Compensation' for smooth dimming from 0%-100% with no colour shift. NEO can be powered by six AA batteries for up to five hours (or three hours at 100% power), AC adapter or D-TAP cable, drawing only 9W at full power.
Read the article in BFV online.
(IT/JP)
Top Related Stories
Click here for the latest broadcast news stories.
19/05/2015
Big Interview: Rotolight Continues To Break Ground With Its Innovative Products
Rotolight is a rapidly growing family business based at Pinewood Studios, UK, specialising in the manufacture of multi award-winning on-camera, studio
Big Interview: Rotolight Continues To Break Ground With Its Innovative Products
Rotolight is a rapidly growing family business based at Pinewood Studios, UK, specialising in the manufacture of multi award-winning on-camera, studio
23/05/2007
Colour Confidence Expands Colour Correction Software Range
Colour Confidence has announced the expansion of its colour correction software range, with the introduction of two new solutions from PictoColor. Aim
Colour Confidence Expands Colour Correction Software Range
Colour Confidence has announced the expansion of its colour correction software range, with the introduction of two new solutions from PictoColor. Aim
11/04/2007
Colour Management and Extension 2 Add To Autodesk Lustre Colour Grading
Lustre Colour Management, now included in Autodesk’s visual effects, editing and finishing, and colour grading solutions, ensures that everyone across
Colour Management and Extension 2 Add To Autodesk Lustre Colour Grading
Lustre Colour Management, now included in Autodesk’s visual effects, editing and finishing, and colour grading solutions, ensures that everyone across
04/10/2006
Roscolux Launch At Plasa 2006 Brings Colour To Lighting Design
The wider availability of the Roscolux range assures US and European lighting designers easy access to the colours for shows on both sides of the Atla
Roscolux Launch At Plasa 2006 Brings Colour To Lighting Design
The wider availability of the Roscolux range assures US and European lighting designers easy access to the colours for shows on both sides of the Atla
12/10/2017
BB&S Lighting Adds New LED Lighting Fixtures
BB&S Lighting has announced the introduction of 3' and 4' Pipeline Free remote phosphor LED lighting fixtures. The 3' and 4' (914mm and 1,219mm) sizes
BB&S Lighting Adds New LED Lighting Fixtures
BB&S Lighting has announced the introduction of 3' and 4' Pipeline Free remote phosphor LED lighting fixtures. The 3' and 4' (914mm and 1,219mm) sizes
08/11/2018
Rotolight Anova PRO 2 Revolutionises Studio LED Lighting In 2018
The Rotolight Anova PRO 2 is the latest innovation from Rotolight who offer a range of LED solutions for on-camera ENG, on location and in studio prod
Rotolight Anova PRO 2 Revolutionises Studio LED Lighting In 2018
The Rotolight Anova PRO 2 is the latest innovation from Rotolight who offer a range of LED solutions for on-camera ENG, on location and in studio prod
24/04/2017
Rotolight Announce AEOS LED Lighting Innovation
Rotolight has announced the launch of an industry-first location LED lighting innovation, AEOS. Designed for portrait photographers and videographers
Rotolight Announce AEOS LED Lighting Innovation
Rotolight has announced the launch of an industry-first location LED lighting innovation, AEOS. Designed for portrait photographers and videographers
04/10/2016
Rotolight Chosen As Exclusive LED Lighting Supplier To Celebro Media Studios
Rotolight has been selected as the exclusive LED lighting supplier to Celebro Media Studios. Celebro Media Studios was specifically designed for live
Rotolight Chosen As Exclusive LED Lighting Supplier To Celebro Media Studios
Rotolight has been selected as the exclusive LED lighting supplier to Celebro Media Studios. Celebro Media Studios was specifically designed for live
15/07/2014
Quality Of Lighting Becomes Ever More Crucial (Pt 2)
LED lighting is a huge technology milestone, just made for the workflow age: George Jarrett looks at the significant EBU development of TLCI, and talk
Quality Of Lighting Becomes Ever More Crucial (Pt 2)
LED lighting is a huge technology milestone, just made for the workflow age: George Jarrett looks at the significant EBU development of TLCI, and talk
15/11/2019
Kinotehnik: Best In Class Lighting For Compact Lighting
We all know very well how reliant on lighting we are to capture images in all forms of filming and photography. Quite simply, without lighting, things
Kinotehnik: Best In Class Lighting For Compact Lighting
We all know very well how reliant on lighting we are to capture images in all forms of filming and photography. Quite simply, without lighting, things
09/11/2017
Cineo Lighting, NBCUniversal To Showcase Lighting Solutions
Cineo Lighting will co-exhibit with NBCUniversal at Live Design International (LDI) 2017 (Booth 2817), later this month when the show takes place at t
Cineo Lighting, NBCUniversal To Showcase Lighting Solutions
Cineo Lighting will co-exhibit with NBCUniversal at Live Design International (LDI) 2017 (Booth 2817), later this month when the show takes place at t
28/03/2007
A.C. Lighting Installs Lighting System At Motion Capture And Green Screen Studio
A.C. Lighting’s Special Projects division has supplied and installed the lighting system for Amersham & Wycombe College’s newly opened Motion Capture
A.C. Lighting Installs Lighting System At Motion Capture And Green Screen Studio
A.C. Lighting’s Special Projects division has supplied and installed the lighting system for Amersham & Wycombe College’s newly opened Motion Capture
03/02/2004
Lighting and sound Lighting Logic specialists launched
Mick Cocker and Matt Miles have launched Lighting Logic Ltd, a lighting and sound sales, design and installation company. Based at Maidstone Studios i
Lighting and sound Lighting Logic specialists launched
Mick Cocker and Matt Miles have launched Lighting Logic Ltd, a lighting and sound sales, design and installation company. Based at Maidstone Studios i
09/02/2016
Rotolight's ANOVA Celebrates 5th Anniversary
Manufactured and hand calibrated at Pinewood Studios, England, the multi award-winning Rotolight ANOVA Eco Flood light is fast approaching its 5th ann
Rotolight's ANOVA Celebrates 5th Anniversary
Manufactured and hand calibrated at Pinewood Studios, England, the multi award-winning Rotolight ANOVA Eco Flood light is fast approaching its 5th ann
31/10/2022
Rotolight Reveals Series Of Lighting Kits
Rotolight has revealed a series of lighting kits specifically devised for streamers, gamers and content creators. Comprising three bundle options, the
Rotolight Reveals Series Of Lighting Kits
Rotolight has revealed a series of lighting kits specifically devised for streamers, gamers and content creators. Comprising three bundle options, the