Broadcast News

Bookmark and Share
11/03/2013

Neg Earth Lights Up Muse World Tour

News Image
UK lighting rental company Neg Earth Lights has provided assistance on the recent world tour of rock band Muse.
The company invested in five new Kinesys DigiHoist controllers and two remote handsets which went directly out on Muse’s ‘The 2nd Law’ tour, together with a Kinesys K2 control and Elevation 1+ automation system that they already owned.
The Kinesys system was specified by the band’s Stage and Visual Designer Oli Metcalfe and automation guru Gareth Williams – who has been an advocate of Kinesys innovations for many years. Williams is operating the K2 on the tour.
A major part of Metcalfe’s visual concept for the tour are five concentric square video screens, all made up from Pixled Linx12 product each being 1.2 metres in depth. These are attached to square trusses incrementing in size and all fit inside one another forming a pyramid shape that can also be inverted.
The two larger video squares are flown from four 1 tonne Liftket electric chain hoists and the three smaller ones each from four half tonne Liftkets. All 20 motors are fitted with Kinesys Elevation 1+ vari-speed controllers and driven by one of the new standalone K2 control consoles.
Close to the K2 control position is a rack-mounted computer also running K2 in full tracking backup mode.
The screens receive playback video content and IMAG footage, with both sources output to screen via the Catalyst, triggered from Metcalfe’s Hog 4 lighting console.
Positional information from the five concentric screens is sent via K2 to the Catalyst, which calculates the image sizing required to fit in on to wherever the screen surface happens to be at the time.
One image can be fitted over all four sides of all five screens or images can be split and fragmented across the five surfaces producing stunning contrasts and the high-impact, edgy visuality for which Muse’s live performances are renowned.
"There is no other automation system available that could have done this as easily as K2," Williams said.
Each of the 20 video screen points is fitted with a Kinesys LibraCELL load monitoring shackle, so Williams can monitor the dynamic loading of all the points onscreen as they change positions.
The LibraCELL system checks for overload and underloads. This is particularly important as there is some serious cable management involved feeding the screens and the lighting fixtures rigged on the trusses, resulting in substantial amounts of cabling and motor chains compacted in the same limited area.
The five new Neg Earth DigiHoist controllers are being used to control motors for all the lighting points – 16 of them on the main grid and 15 on the sub-hung lighting trusses.
www.kinesys.co.uk
VMI.TV Ltd

Top Related Stories
Click here for the latest broadcast news stories.

29/09/2014
Kinesys To Exhibit At 2014 PLASA
Automation specialist Kinesys will use the unique networking opportunities of the 2014 PLASA exhibition at London's ExCeL Centre to meet, greet and be
07/06/2019
Entec Lights Up Alice In Chains European Tour
American rockers Alice In Chains crossed the Atlantic in May to begin a six-week tour of the UK and Europe, enlisting Entec's support as their lightin
06/08/2018
Robe Lights Deployed For Guns N' Roses Tour
Experienced lighting designer Phil Ealy has deployed Robe's moving lights for Guns N' Roses' 'Not In This Lifetime' tour. In order to create classic r
23/12/2022
L-Acoustics K2 Brings Sonic Sparkle To Post Malone's Twelve Carat Tour
To support his fourth and newest studio album, Twelve Carat Toothache, Post Malone opted not to stay "Cooped Up" by hitting the road this fall for a 3
24/03/2010
HSL/Kinesys Workshop a Huge Success
A UK lighting rental company and a leading automation specialist have recently collaborated to stage a two day technical training workshop on Kinesys'
04/12/2013
Event Management Expands Kinesys Line
Milanese company Event Management has expanded its investment in Kinesys automation equipment to service the latest series of the popular TV show, Io
03/01/2025
New Matthews Multipurpose Adapter For Moving Lights
Matthews Studio Equipment, known for the heftiest hardware, has a new solution to simplify mounting live production moving lights to standard grip equ
24/07/2024
Astera To Display LED-Based Lights At IBC 2024
Astera is to showcase their extensive portfolio of LED-based lights at IBC 2024 (Booth 12.F55). Front-and-centre will be the presentation of their rec
15/06/2023
Brightline Provides Multi-Directional Lights For Latest Seacrest Studio
Brightline has provided 15 Flex-T multi-directional lights for the latest Seacrest Studio, a state-of-the-art 1,275 square-foot broadcast media center
31/05/2023
Astera Unveils New Freshnel Series Of Lights
Astera has introduced its new Fresnel series of lights - the compact PlutoFresnel and the larger LeoFresnel. The two offerings serve to plug a signifi
21/04/2023
Blue Lights To Return For A Second Series
The BBC has announced that Belfast-based drama Blue Lights produced by Two Cities Television will return for a second 6 x 60’ series. Directed by Gill
01/12/2022
Marshall CV568 Lights The Lamp For Harvard University Ice Hockey
As one of the oldest and most storied programs in all of college hockey, the Harvard University men's ice hockey team draws big crowds, not only in pe
13/01/2022
Pixipixel Invests In More Chroma-Q® Space ForceTM octo LED Soft Lights
Pixipixel has invested in even more Chroma-Q® Space ForceTM octo LED soft lights. With nearly two decades supplying film, television and commercial pr
13/10/2021
Rotolight Unveils NEO 3 And AEOS 2 Lights
Rotolight has unveiled the next generation of its LED lighting products: the Rotolight NEO 3 and AEOS 2. The new products combine the 'shoot what you
18/08/2021
Pixelpixel Invests In Rotolight's Titan X2 And X1 Cinematic Lights
Rotolight has announced that leading rental house Pixipixel have added 40 of the award-winning Titan X2 and X1 cinematic lights to its inventory. Pixi