Broadcast News

Bookmark and Share
13/06/2011

SGO Unleashes Equaleyes For Mistika

SGO Mistika now boasts Equaleyes, the industry's fastest and most capable automatic stereoscopic image matching tool.
Equaleyes provides fully automated functions for correcting discrepancies between left and right images, caused by differences in cameras, lenses and stereo rig systems.
Mismatches between left and right images are a fact of stereoscopic life and are caused by a variety of inherent shooting variables such as mismatched lenses and stereoscopic camera rigs that do not have the two cameras perfectly aligned. These result in a pair of images where one has a size, position or rotational difference with respect to the other. They are known collectively as geometric misalignments and must be removed by perfectly matching the left and right images together.
If they are not matched, the audience will experience discomfort while watching misaligned stereo content, which in turn results in viewer fatigue and headaches. Manual alignment of Stereo 3D material is an extremely time-consuming process and can account for a large proportion of a post production budget, if attempted.
Miguel Angle Doncel, CEO of Mistika's manufacturer SGO, explained further: "Equaleyes is designed to ensure that of a given post production budget or schedule, the smallest amount of time is used up on the technical aspects of alignment, conforming including all the mundane, but necessary processes as well. This allows the majority of the time to be spent creatively - and there are plenty of creative tools in Mistika for that! Our driving force is to simply empower our artists and operators to create the very best content by providing them with the fastest and most flexible tools possible."
Mistika's Equaleyes technology builds on Mistika's already famous ability to rapidly align stereo images, with the results being immediately playable and usable in real time. Equaleyes provides an automatic assessment of the geometric errors between left and right images, using advanced proprietary image recognition technology. This assessment then generates settings to correct not just positional rotational and scale differences, but also "key-stoning" challenges. The assessment takes barely half a second to computer after which, the corrected shot can be played, or used immediately in real-time, with no further rendering.
In addition, Mistika also features a two-step colour matching algorithm. The first will colour-match the majority of stereo 3D shots by creating an overall colour grade to match one eye to the other (or both to a common point). The second step, where needed, executes a pixel-by-pixel match in order to repair stereo oddities such as polarised light that creates spot-differences in textures between images.
The practical effect of Mistika's unique Equaleyes technology, coupled with it's amazing real time processing of the result, has wide-ranging implications to massively improve the efficiency of stereoscopic productions. British Sky Broadcasting (BSkyB) was among the first broadcasters to be able to make use of the new technology in their ground-breaking coverage of The Royal Wedding of the Duke and Duchess of Cambridge recently in Stereo 3D. Nicolas Recagno, Stereoscopic 3D Mistika Artist who also worked on the Royal Wedding project at bosky affirmed: "Equaleyes is a massive time saver for Stereo 3D post and ensures that only the best 3D ever leaves a Mistika suite."
Working to an incredibly tight timetable, as the coverage was broadcast on the Tuesday after the Royal Wedding weekend, meant that correction of stereo material and offline editing had to happen in parallel. The offline editor worked directly from the camera rushes while, at the same time, BSkyB's Mistika systems corrected many hours of rushes from every camera. At the completion of the edit session, Mistika created an instantaneous 3D conform from the camera rushes it had loaded, along with stereo correction that had been added. BSkyB's lead stenographer Francisco Ramos said: "It would have been impossible to correct that amount of material in such a short space of time, to Sky's exacting standards, on any other system. Mistika remains without a doubt, the fastest and most productive finishing and workflow system around."
Steve Shaw, CEO of Light Illusion and SGO Partner confirmed: "Automated correction of Stereoscopic eye disparities is something of an often quoted function, but very few systems and features deliver on their claims of promises. Mistika's Equaleyes is the first automated geometry and colour fix solution that actually delivers beyond what it promises - and it works brilliantly too."
The Equaleyes functionality is immediately available and has been added to Mistika Version 6's post production and Mistika Live versions.
(KMcA)
VMI.TV Ltd

Top Related Stories
Click here for the latest broadcast news stories.

08/08/2012
Mistika IBC2012 Preview
At IBC 2012, SGO will be presenting its phenomenal world-leading line of powerful Mistika DI and Stereo 3D production solutions that are radically tra
15/08/2011
Mistika's Creative Product Line Comes To IBC
Along with showcasing the Mistika range of powerful DI, 2D and Stereo 3D workflow solutions at IBC, including Mistika Live, Mistika On-Set & Mistika F
09/06/2011
SGO 'Unleashes Equaleyes For Mistika'
SGO Mistika now boasts “Equaleyes”, the industry's fastest and most capable automatic stereoscopic image matching tool. Equaleyes provides fully autom
25/01/2011
Chroma Film & TV Invests In SGO's Mistika For Stereoscopic 3D Projects
In order to provide its clients with an advanced and highly efficient 2D and stereoscopic 3D work-flow, Hamburg-based Chroma Film & TV, one of Germany
25/07/2011
New Zealand's Park Road Post Chooses SGO Mistika
With production now in motion on Peter Jackson's two-film adaption of J.R.R. Tolkien's The Hobbit, SGO has announced that Oscar award-winning New Zeal
18/02/2011
On Sight Uses SGO's Mistika For Flying Monsters In 3D With David Attenborough
SGO Mistika, the most powerful stereoscopic 3D toolset in the industry, was used for all the stereo 3D , 2D; and its first evert 3D IMAX by London's O
31/08/2012
Mistika And ONSIGHT Orchestrate Stereo 3D Symphony
Mistika Case Study SGO's Mistika was used at London's ONSIGHT for the stereoscopic 3D post production of RealD and the Royal Opera House’s co-producti
14/09/2010
SGO Launches Mistika Live At IBC
SGO has launched Mistika Live, its powerful new stereoscopic 3D production tool at IBC 2010. Mistika Live was recently used in the impressive live ste
09/02/2010
Leading The Stereo 3D Revolution With Mistika at Broadcast Video Expo
SGO, established European developer of high-end solutions for the post production and broadcast markets, continues to define and lead the stereoscopic
08/03/2011
On Sight Takes SGO's New Stereoscopic 3D On-Set System Mistika Live To Start of Production Workflow
On Sight, a production services company specialising in stereo 3D equipment, rental and post production services, has invested in Mistika Live, SGO's
28/03/2012
SGO Mistika Leads Innovation With New Performance & Advanced Tools
SGO will present dynamic range of powerful Mistika DI and stereo 3D workflow solutions and systems at NAB 2012. Mistika provides a complete suite of f
22/02/2011
Mistika Rocks On Sight With Stereo 3D For Prince's Trust Rock Gala In 3D
Mistika is the system of choice for all of On Sight's finishing work which included the recent Prince's Trust Rock Gala in 3D concert, produced by Dom
10/05/2013
Canada Polytechnic Invests In SGO Mistika
NAIT, the second largest Polytechic in Canada, which specialises in engineering, media and applied research, has invested in SGO's Mistika. NAIT DMIT
15/01/2016
Edit Studios Utilises SGO's Mistika
Edit Studios, based in Tel Aviv, has selected SGO's Mistika for its colour-finishing capabilities to grade Baba Joon, which was recently named best fi
25/04/2017
SGO Launches Mistika Co-Pilot
SGO has announced the launch of Mistika Co-Pilot – a second seat that acts as an assistant to its current turnkey offering 'Mistika Ultima', at this y