Broadcast News
12/10/2009
Concrete's 3D Team Energises CG Red Bull Can
Concrete has completed full postproduction work on a quirky Red Bull energy drink 30-second commercial, which included the creation of realistic 3D graphics, editing, compositing, grading as well as sound design.
It was designed and produced for university intranets for students by Creative Director Neil Cook at Agency Kastner Network & Partners in London and produced by Vicky Heam.
Neil Cook said: "Concrete was a pleasure to work with, pulling off a complex piece of 3D animation in a tight timeframe, as well as delivering top notch audio. The team took on board our feedback, but also added the kind of subtle touches that only come with expert knowledge."
The commercial depicts a Red Bull can given life-like qualities showing its reactions to being blown about, slapped, banged into, scratched, slapped, crushed and squeezed by an invisible force.
The talented team at Concrete were responsible for creating the CG can and giving it human qualities. Chris Jennings, Head of Graphics and his 3D artists, Al Stiglic and George Humphris worked tirelessly on the project to ensure the effects took shape within the deadline.
George Humphris explained: "This was a really interesting project to work on. For the R&D we spent hours in the studio filming and photographing the abuse we inflicted on the Red Bull cans, such as crushing, twisting and scratching. This reference proved invaluable when we recreated the damage in Maya.
"The only setback we had was overnight our studio cleaner removed all of our "empty dented cans for modelling reference" and so we had to start all over again the following day.
"The real work was choreographing a symphony of destruction on one CG can. There were over fourteen custom dents and "wounds" to sequence over the thirty seconds plus the character animation."
George was also responsible for the compositing in After Effects. Aleksandar Stiglic made a model of the Red Bull can using Mental Ray for rendering and Maya's Ncloth simulation in order to obtain realistic folds and creases in the can's material.
Al Stiglic commented: "Duncan Brimsmead from Autodesk gave me a few tips and was a great help on the project."
"We really enjoyed working with the clients, they gave really good direction and were brilliant throughout the whole project, a pleasure to work with." George Humprhris added.
Senior Audio Designer at Concrete Dino Sofos was then responsible for adding sound effects to the piece as a showcase of his 3D design, where he added squeezing, slapping, wind blowing and crushing sounds to enhance the striking visual effects.
The commercial depicts significant details which makes the piece come alive, such as the Red Bull can being blown, making the ring pull vibrate slightly, as if it were being blown by a strong wind. Along its dented and slapped surface, a series of lines begin to run up and down, as if from invisible fingers delivering a series of scratches.
The can is then cleverly crushed by the impact with the edge of the frame. It then crashes around the screen frantically, being banged against all four sides and up against the screen itself.
At this point, significantly misshapen, the can comes to rest once again in the centre of the screen, rocking a little on the spot from its exertions. When the final title appears, we see a word sliding in from the left of the can, the other from the right.
The two worlds collide with the can centre-frame and squeeze its mid section together. The force of this pressure causes the can to pop out from between the words.
It shoots up to the top of the screen, where it is squeezed further against the edge of frame.
At the end of the sequence, the can is entirely flat as slides off the screen and falls into centre frame again, where it makes ever-decreasing circles for a few seconds, as if it were a coin being spun and coming to rest, before giving up the ghost entirely and coming to a halt.
The Red Bull Can Make Music logo is then revealed behind it.
The piece will be shown on university intranets throughout the UK for students to view.
(KMcA/BMcc)
It was designed and produced for university intranets for students by Creative Director Neil Cook at Agency Kastner Network & Partners in London and produced by Vicky Heam.
Neil Cook said: "Concrete was a pleasure to work with, pulling off a complex piece of 3D animation in a tight timeframe, as well as delivering top notch audio. The team took on board our feedback, but also added the kind of subtle touches that only come with expert knowledge."
The commercial depicts a Red Bull can given life-like qualities showing its reactions to being blown about, slapped, banged into, scratched, slapped, crushed and squeezed by an invisible force.
The talented team at Concrete were responsible for creating the CG can and giving it human qualities. Chris Jennings, Head of Graphics and his 3D artists, Al Stiglic and George Humphris worked tirelessly on the project to ensure the effects took shape within the deadline.
George Humphris explained: "This was a really interesting project to work on. For the R&D we spent hours in the studio filming and photographing the abuse we inflicted on the Red Bull cans, such as crushing, twisting and scratching. This reference proved invaluable when we recreated the damage in Maya.
"The only setback we had was overnight our studio cleaner removed all of our "empty dented cans for modelling reference" and so we had to start all over again the following day.
"The real work was choreographing a symphony of destruction on one CG can. There were over fourteen custom dents and "wounds" to sequence over the thirty seconds plus the character animation."
George was also responsible for the compositing in After Effects. Aleksandar Stiglic made a model of the Red Bull can using Mental Ray for rendering and Maya's Ncloth simulation in order to obtain realistic folds and creases in the can's material.
Al Stiglic commented: "Duncan Brimsmead from Autodesk gave me a few tips and was a great help on the project."
"We really enjoyed working with the clients, they gave really good direction and were brilliant throughout the whole project, a pleasure to work with." George Humprhris added.
Senior Audio Designer at Concrete Dino Sofos was then responsible for adding sound effects to the piece as a showcase of his 3D design, where he added squeezing, slapping, wind blowing and crushing sounds to enhance the striking visual effects.
The commercial depicts significant details which makes the piece come alive, such as the Red Bull can being blown, making the ring pull vibrate slightly, as if it were being blown by a strong wind. Along its dented and slapped surface, a series of lines begin to run up and down, as if from invisible fingers delivering a series of scratches.
The can is then cleverly crushed by the impact with the edge of the frame. It then crashes around the screen frantically, being banged against all four sides and up against the screen itself.
At this point, significantly misshapen, the can comes to rest once again in the centre of the screen, rocking a little on the spot from its exertions. When the final title appears, we see a word sliding in from the left of the can, the other from the right.
The two worlds collide with the can centre-frame and squeeze its mid section together. The force of this pressure causes the can to pop out from between the words.
It shoots up to the top of the screen, where it is squeezed further against the edge of frame.
At the end of the sequence, the can is entirely flat as slides off the screen and falls into centre frame again, where it makes ever-decreasing circles for a few seconds, as if it were a coin being spun and coming to rest, before giving up the ghost entirely and coming to a halt.
The Red Bull Can Make Music logo is then revealed behind it.
The piece will be shown on university intranets throughout the UK for students to view.
(KMcA/BMcc)
Top Related Stories
Click here for the latest broadcast news stories.
25/10/2024
Channel 4 Teams Up With NFTS And Norfolk Screen
Channel 4 has partnered with the National Film and Television School (NFTS) and Norfolk Screen to deliver three, free online sessions for film and tel
Channel 4 Teams Up With NFTS And Norfolk Screen
Channel 4 has partnered with the National Film and Television School (NFTS) and Norfolk Screen to deliver three, free online sessions for film and tel
02/08/2017
RED Raven Camera Kit Available Exclusively From Apple Store
RED Digital Cinema has revealed its RED RAVEN Camera Kit is now available to purchase at Apple.com. As RED's most compact camera BRAIN, weighing at ju
RED Raven Camera Kit Available Exclusively From Apple Store
RED Digital Cinema has revealed its RED RAVEN Camera Kit is now available to purchase at Apple.com. As RED's most compact camera BRAIN, weighing at ju
25/09/2015
RED Digital Cinema Unveils RED RAVEN
RED Digital Cinema has announced the latest addition to its line of professional cameras, the RED RAVEN. Weighing 3.5 pounds, RED RAVEN is the company
RED Digital Cinema Unveils RED RAVEN
RED Digital Cinema has announced the latest addition to its line of professional cameras, the RED RAVEN. Weighing 3.5 pounds, RED RAVEN is the company
04/08/2009
Offhollywood Opens East Coast's First Authorised RED Digital Cinema Camera Rental And Service Facility
Leading digital cinema Offholllywood has opened the first authorised RED Digital Cinema camera rental and service facility on the East Coast. Occupyin
Offhollywood Opens East Coast's First Authorised RED Digital Cinema Camera Rental And Service Facility
Leading digital cinema Offholllywood has opened the first authorised RED Digital Cinema camera rental and service facility on the East Coast. Occupyin
27/10/2008
White Mark Wins A Second TEC Award For Outstanding Creative Achievement
Acoustic and technical design company White Mark Ltd has won a Mix Foundation TEC Award for Outstanding Creative Achievement for its acoustic input in
White Mark Wins A Second TEC Award For Outstanding Creative Achievement
Acoustic and technical design company White Mark Ltd has won a Mix Foundation TEC Award for Outstanding Creative Achievement for its acoustic input in
05/03/2010
Pulse Bring Red Bull Music To Four
An integrated content production company has been commissioned to produce Red Bull Music Academy London, a 3 x 12’ series for Channel 4 which showcase
Pulse Bring Red Bull Music To Four
An integrated content production company has been commissioned to produce Red Bull Music Academy London, a 3 x 12’ series for Channel 4 which showcase
15/08/2018
RED Digital Cinema To Exhibit Entire DCMS2 Range At BIRTV
RED Digital Cinema is attending the upcoming Beijing International Radio, TV & Film (BIRTV) Exhibition with its full range of DSMC2 cameras. The compa
RED Digital Cinema To Exhibit Entire DCMS2 Range At BIRTV
RED Digital Cinema is attending the upcoming Beijing International Radio, TV & Film (BIRTV) Exhibition with its full range of DSMC2 cameras. The compa
26/11/2008
Concrete's 3D Team Energises CG Red Bull Can
Concrete has completed full postproduction work on a quirky Red Bull Energy Drink 30-second commercial, which included the creation of realistic 3D gr
Concrete's 3D Team Energises CG Red Bull Can
Concrete has completed full postproduction work on a quirky Red Bull Energy Drink 30-second commercial, which included the creation of realistic 3D gr
11/07/2024
Red House Streaming And RHStv Paddle Upstream
Red House Streaming, a subsidiary of CP Communications, stacked the deck this spring with live exclusive rowing event productions for broadcast on RHS
Red House Streaming And RHStv Paddle Upstream
Red House Streaming, a subsidiary of CP Communications, stacked the deck this spring with live exclusive rowing event productions for broadcast on RHS
30/09/2013
XL Captures Red Bull Cliff Diving
XL Events captured the British leg of the Red Bull Cliff Diving World Series recently, when the competition was held in Wales. A total of 14 divers fr
XL Captures Red Bull Cliff Diving
XL Events captured the British leg of the Red Bull Cliff Diving World Series recently, when the competition was held in Wales. A total of 14 divers fr
26/01/2010
Dolby Helps Red Bull Screen First 3D Movie
The most innovative brand in sound technology have provided digital cinema mastering and technical support for the screening of Red Bull's first 3D mo
Dolby Helps Red Bull Screen First 3D Movie
The most innovative brand in sound technology have provided digital cinema mastering and technical support for the screening of Red Bull's first 3D mo
26/04/2018
RED And Take 2 Tech Day Approaches
RED and Take 2 Tech Day is soon approaching on May 9, with RED demos and a Q+A planned for the event. The event takes place in Take 2 Film Services Lt
RED And Take 2 Tech Day Approaches
RED and Take 2 Tech Day is soon approaching on May 9, with RED demos and a Q+A planned for the event. The event takes place in Take 2 Film Services Lt
27/10/2017
Red Announces New Monstro 8K VV
RED has announced its new cinematic Full Frame sensor for WEAPON cameras, the MONSTRO™ 8K VV. MONSTRO is an evolutionary step beyond the RED DRAGON 8K
Red Announces New Monstro 8K VV
RED has announced its new cinematic Full Frame sensor for WEAPON cameras, the MONSTRO™ 8K VV. MONSTRO is an evolutionary step beyond the RED DRAGON 8K
27/05/2002
Red announces appointment to its Board of Directors
Red, the Soho-based visual effects and post-production facility, have announced the appointment of Gary Szabo to its board as Creative Director. Mr Sz
Red announces appointment to its Board of Directors
Red, the Soho-based visual effects and post-production facility, have announced the appointment of Gary Szabo to its board as Creative Director. Mr Sz
13/06/2024
WORK PRO To Unveil NEO 5 Air
WORK PRO is using the InfoComm platform to unveil NEO 5 Air, the latest addition to its hugely popular NEO range of installation loudspeakers. In keep
WORK PRO To Unveil NEO 5 Air
WORK PRO is using the InfoComm platform to unveil NEO 5 Air, the latest addition to its hugely popular NEO range of installation loudspeakers. In keep