Clear Cut Pictures

Clear Cut Pictures has been at the forefront of utilizing post production’s technological advances in the most cost efficient manner for our clients for 20 years now. Our core remit has always been, and will continue to be, to put our client’s money onscreen and in delivering high value post production.

That’s why we were unanimously voted Broadcast’s Magazines Best Post Production House in 2011 by a judging panel of the industry’s Heads of Production and why our clients come back time and time again with their next productions.

We believe we are ideally placed to deliver a higher level of service than our competitors, together with cost and workflow efficiencies, because of our infrastructure, our location and our talent.



Our two sites, Shepherds Bush and Soho, are linked by a dedicated fibre line which is fast enough to support online resolution editing from storage in a different location. Productions have the full complement of both sites’ facilities at their disposal and the power of two large machine rooms supporting their productions.

All of our suites, whether it is offline, online or sound are networked together so when it comes to the crunch, Clear Cut is able to introduce parallel workflows across multiple suites in order to maximize the most efficient approach. It’s another example of how we make technology work for the production. On top of that we’re open whenever the client needs us, that is to say 24 hours a day, 7 days a week and even 365 days a year should the need arise.

We give you the flexibility to do your post as you need it. From multiple offline suites editing at an online resolution, Avid or FCP, Nucoda FilmMaster, Resolve or Symphony Nitris grading, HD, 2K or 4K, stereo, 5.1, 7.1 or Dolby sound mixing; right through to a wide range of creative staff to suit your production.



Our experience extends from documentaries, factual entertainment and magazine programmes right through to drama, drama-doc, current affairs and gameshows. Recent credits include…

• Jungle Gold 10 x 60’: Raw Television for Discovery


• Science Club 6 x 60’: BBC Science for BBC Two


• Shackleton 4 x 60’: Raw Television for Channel 4


• Dead or Alive 8 x 60’: Darlow Smithson for National Geographic


• Infested 16 x 60’: Darlow Smithson for Animal Planet


• Twin Town: 10 x 60’: Knickerbockerglory for Sky One


• Strippers: From Cars to Cash 20 x 60’: Attaboy TV for National Geographic


• Brazil with Michael Palin 2 x 60’: Prominent TV for BBC One


• Black Ops: 6 x 60’: World Media Rights for Discovery


• Embarrassing Bodies: 18 x 60’: Maverick TV for Channel 4


• The Last Heroes of D-Day 2 x 60’: BBC Vision for BBC One


• The Dark Charisma of Adolf Hitler 3 x 60’: LR History for BBC Two


• Ultimate Warfare 10 x 60’: Arrow Media for Discovery


• One Night in Istanbul 1 x 90’: Stray Dogs Films for feature release